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  • av Thornton W Burgess
    372,-

    Through the eyes of Peter Rabbit we become acquainted with a variety of birds as they return to Peter's neighborhood in the spring. In the context of the story about each bird, we hear about its nesting habits, its feeding preferences, and its interactions with other wildlife. We meet Jenny Wren, Scrapper the King-bird, Redwing the Blackbird, and dozens more. An engaging introduction to birds for young children, with over thirty color illustrations by noted illustrator Louis Agassiz Fuertes.

  • av Charlotte M Yonge
    264,-

    Through strange events, a little burgher maid becomes mistress of a castle of robber barons. This lonely castle of Adlerstein perched high on the rocks above a dangerous ford, is known as the eagle's eyrie. Here the twin barons are born and grow to manhood. The story tells of their love for each other, and of the separation of the brothers after the battle at the ford. How the feud between the rival barons is healed and a chapel of peace is built at the terrible ford, concludes one of the best known tales of Charlotte Yonge. Expressive illustrations by noted illustrator Marguerite de Angeli accompany the text.

  • av Miguel de Cervantes Saavedra
    331,-

    The adventures of Don Quixote and Sancho Panza, his squire, featuring the crazy knight on his broken-down old plow-horse, in his rustyarmor, his helmet mended with bits of green ribbon, and portly Sancho, faithful, grumbling when hungry, cheerful when fed, shrewd and talkative, joggingbehind him on Dapple, his sturdy mule, "the light of his eyes."

  • av Thomas Bulfinch
    264,-

    A comprehensive collection of Greek and Roman myths, with a sampling from Persia, India, and Scandinavia-stories enjoyable in and of themselves, but also valuable because allusions to them are so common in modern parlance. How the myths are employed by modern writers is demonstrated by the inclusion of one excerpt after another of British poetry in close proximity to the myth that inspired it.

  • av Charlotte M. Yonge
    399,-

    Through strange events, a little burgher maid becomes mistress of a castle of robber barons. This lonely castle of Adlerstein perched high on the rocks above a dangerous ford, is known as the eagle's eyrie. Here the twin barons are born and grow to manhood. The story tells of their love for each other, and of the separation of the brothers after the battle at the ford. How the feud between the rival barons is healed and a chapel of peace is built at the terrible ford, concludes one of the best known tales of Charlotte Yonge. Expressive illustrations by noted illustrator Marguerite de Angeli accompany the text.

  • av George P. Upton
    174,-

    George Upton's brief biography of one of the greatest classical composers of all time is written in an engaging narrative style, making it read more like a historical novel than a dry biographical text. The highlights of Bach's life and career are all here, making this a wonderful introduction for any student of music or western culture. Bach's music is wonderful on its own, but one's appreciation of it can only be enriched by gaining a sense of the character of the man who wrote it.

  • av H. R. Haweis
    278,-

    An introductory guide to Chaucer's Canterbury Tales with much explanatory material including a prologue introducing the poem, biographical material about Chaucer the tale-teller, and introductions to all the pilgrims. Excerpts from the poem itself are laid out side by side with the Old English version on the left and a modern English version on the right, with glosses in the margin explaining unfamiliar words, as well as footnotes to provide further information. Prose summaries are interspersed with the poetic selections. The title of this book may be misleading to modern audiences. It is definitely not for children below the age of 13, but will serve as a great introduction to Chaucer for both young adult and adult readers.

  • av Marjorie and C. H. B. Quennell
    188,-

    Fourth and final volume in The Everyday Life Series by Marjorie and C. H. B. Quennell. An attractive and vividly written book about life during Anglo-Saxon, Viking, and Norman times in England, with dozens of delightful illustrations depicting structures and artifacts up to the time of the Norman Conquest.

  • av Arthur Quiller-Couch
    202,-

    The Oxford Book of English Verse brings together the best poetry in English. Part 1 offers the reader a surprisingly impartial cross section of British poetry from the 13th to the 16th centuries, including madrigals, ballads, devotional works, and much more. From the ornate language of Edmund Spenser to wild and vigorous lines by Scottish poets such as Robert Henryson and William Dunbar, readers are likely to find words here that sing the workaday mind to sleep, and open their heart's eyes on new countries.

  • av Marjorie and C. H. B. Quennell
    229,-

    Fourth and final volume in The Everyday Life Series by Marjorie and C. H. B. Quennell. An attractive and vividly written book about life during Anglo-Saxon, Viking, and Norman times in England, with dozens of delightful illustrations depicting structures and artifacts up to the time of the Norman Conquest.

  • av H. S. Hall
    229,-

    A short preliminary course of practical and experimental work in geometry to give the beginning student clear mental pictures of geometric objects and constructions. Early chapters introduce easy exercises in drawing to illustrate definitions, measurement of lines and angles, and the use of compasses and protractor. Next come problems on bisection, parallels, and perpendiculars, followed by the use of set squares and the construction of triangles and quadrilaterals. Problems are explained informally, with the results verified by measurement.

  • av Edith M. Patch
    229,-

  • av P. Leslie Waterhouse
    194,-

    A detailed tour of architecture in the western world beginning with the Egyptian pyramids and ending with the skyscrapers of the early 20th century. In between the reader encounters the architecture of the Greeks, the Romans, the early Christians, and the Saracens, followed by a treatment of Romanesque, Gothic, and Renaissance architectures and how they manifested differently in different countries. Amply illustrated with dozens of line drawings detailing architectural elements and floor plans, and plates showing representative buildings in their entirety. In this fine supplement to historical studies for the older student the author emphasizes the close association between the architecture of an era and the civilization that produced it, helping us see that through architecture we may grasp much of the spirit of past eras: their emotions, their aspirations, and their beliefs.

  • av Mary Innes
    443,-

    Masterful account of the schools of painting beginning with early Christian art and legends of the Virgin Mary and the saints, followed by the awakening of art in Italy, northern Europe, Spain, France, and England. Over 100 illustrations, almost all in color, accompany the text. Sections on painting in America and later painters in France and England were added by Charles McKay to the original text by Innes.

  • av Arthur Quiller-Couch
    244,-

    The Oxford Book of English Verse in its entirety is a choice collection of over 800 poems spanning the period from 1250-1900, selected and edited by the eminent British literary figure, Arthur Quiller-Couch. This fourth part, roughly covering the nineteenth century, leads the reader through one of the most productive periods in English literature.This volume includes 376 poems by 128 different poets, arranged in order by the year of their birth. As you might imagine, the Romantic poets are well-represented in the collection, by William Wordsworth (27 poems), Samuel Taylor Coleridge (7), Percy Bysshe Shelley (14), Lord Byron (5), and John Keats (15). Similarly, the Victorian poets appear in abundance, with substantial contributions from Elizabeth Barrett Browning (10), Alfred Lord Tennyson (11), Robert Browning (16), Matthew Arnold (8), and Christina Georgina Rossetti (11). But there are also many fine poems from less familiar poets for the reader to discover. Most of the poems were penned by British poets, with a handful from American authors.Having set his heart on choosing the best, the compiler consulted existing anthologies, but only after making his own choice. As he says, "The best is the best, though a hundred judges have declared it so."

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