Bøker utgitt av University of Washington Press

Stories of migration, displacement, democratization, and transformation From a cradle of Austronesian expansion to the dynamic economic powerhouse and successful democracy it is today, Taiwan is layered in colonial histories. In Taiwan Lives, Niki J. P. Alsford presents a comprehensive examination of the island nation's rich and complex past, told through the life stories of those who have lived it.A merchant, an exile, an activist, a pop star, a doctor, and a president are just some of the twenty-four individuals whose lives populate this people's history of Taiwan. Ranging across time, social strata, ethnicity, and political alliance, these tales offer snapshots of historical eras and illustrate the interwoven fabric of colonialism. Chapters can be read in sequence or individually. With clear and accessible prose, Taiwan Lives is ideal for undergraduate course use.

"Art, Activism, and Sexual Violence brings together creative work, in multiple genres, with analyses of the historical and cultural contexts that illuminate the issue of sexual violence from intersectional feminist perspectives. The volume invites readers to witness and experience public art across many genres and is designed to catalyze readers' perceptions of and attitudes about sexual violence"--

Photographs do not simply speak for themselves. Their meanings are built through interpretive frameworks that shift over time. Today, photographs of receding glaciers are one of the most well recognized visualizations of human-caused climate change. These images, captured through repeat photography, have become effective with an unambiguous message: global warming is happening, and it is happening now. But this wasn't always the case. The meaning and evidentiary value of repeat glacier photography has varied over time, reflecting not only evolving scientific norms but also social, cultural, and political influences.In Capturing Glaciers, Dani Inkpen historicizes the use of repeat glacier photographs, examining what they show, what they obscure, and how they influence public understanding of nature and climate change. Though convincing as a form of evidence, these images offer a limited and sometimes misleading representation of glaciers themselves. Furthermore, their use threatens to replicate problematic ideas baked into their history. With clear and compelling writing, Capturing Glaciers ultimately calls for a centering of climate justice and warns of the consequences of reducing the problem of global warming to one of distant wilderness.

With over 250 color illustrations, this companion volume to Claudia Brown's Great Qing: Painting in China, 1644-1911) (ISBN 9780295747231) covers an array of superbly crafted objects of art produced during China's last dynasty. It features ceramics, metalwork, textiles, lacquer, glass, jade, and works of bamboo selected from collections in North America, Europe, China, and Taiwan. Art historian Brown probes the materials, motivations, technologies, and skills of Qing period artists, along with trends in art patronage and collecting. She considers objects of private patronage, including snuff bottles and instruments for the scholar's desk, alongside imperial commissions, palace furnishings, and pieces made for export in the flourishing East-West trade market. Moving chronologically from one emperor's reign to the next, Glorious Qing offers a comprehensive survey of Qing decorative arts that will delight experts and novices alike, from collectors to students of art history.

Untangles how data shapes and is shaped by queer worlds Data, perilous and powerful, is both a worldmaking and a dismantling force. The collection of data about queer lives and bodies, the consequences of data analysis for queer subjects, and considerations of privacy and consent often present ethical dilemmas even as queer data expands our understanding of who and what counts. The need for queer analyses and perspectives has taken on a new sense of urgency in light of hostile antiqueer policies by major technology companies, the security theater of airports, the disproportionate rates of policing queer people and people of color, digital surveillance in border security, and the proliferation of digital health records.Gathering wide-ranging interdisciplinary conversations into one rich volume, Queer Data Studies challenges readers to rethink how the extraction, circulation, modeling, governance, and use of data affects queer subjects and, at the same time, to consider how the power of data might be harnessed in the service of queer ethics. Contributors take a capacious approach to data, drawing from a range of sources, including stories, sounds, medical data, police data, maps, and algorithmic modeling. This anthology engages intersectional, decolonial, feminist, queer, and trans research, advancing ongoing dialogues about data across the social sciences, humanities, and applied sciences.

Campy and competitive, gay rodeo offers a community of refuge that straddles the urban and rural. Since the mid-1970s, gay rodeos have provided space to both embrace and challenge the idealized masculinity associated with the iconic cowboy of the US West. Slapping Leather traces the history and growth of gay rodeo over the decades, demonstrating how queer cowfolx have fought to build a community where LGBTQ+ people can escape discrimination in both mainstream rodeos and broader society. Yet not all LGBTQ+ groups have found full acceptance in gay rodeo. Originally formed by gay men for gay men, the rodeo has at times perpetuated historically problematic ideas about the US West, the iconic cowboy, and the meaning of masculinity. Despite the gay rodeo's credo of acceptance, its history reveals complicated relationships with straight rodeo, gender stereotypes, and women competitors. Drawing from multiple archives and over seventy oral history interviews, historians Elyssa Ford and Rebecca Scofield demonstrate how amid these tensions, participants, volunteers, and spectators continue to redefine the performance of the cowboy and national belonging.

In 1835 young Chinese scholar Cai Tinglan was caught in a typhoon while sailing across the Taiwan Strait. He and his shipmates spent a harrowing week at sea before drifting to the coast of central Vietnam. With an escort of Vietnamese soldiers, Cai traveled north along the famous "Mandarin Road," meeting governors-general of each province he passed through along his overland journey to Fujian Province in China. Cai documented his experiences in Miscellany of the South Seas (Hainan zazhu), a vivid account of clothing, food, religious practices, government affairs, and other aspects of daily life in early Nguy¿n dynasty Vietnam. Cai's encounters with diasporic Chinese show the Hokkien merchant community's penetration into Vietnamese society, while his warm embrace by Nguy¿n officials illustrates a shared elite world of classical culture across international borders. In this first English translation, Kathlene Baldanza and Zhao Lu provide a comprehensive introduction that puts Cai's account in social, political, and economic context, along with extensive annotation and a glossary.

Interactions between people and animals are attracting overdue attention in diverse fields of scholarship, yet insects still creep within the shadows of more charismatic birds, fish, and mammals. Insect Histories of East Asia centers on bugs and creepy crawlies and the taxonomies in which they were embedded in China, Japan, and Korea to present a history of human and animal cocreation of habitats in ways that were both deliberate and unwitting. Using sources spanning from the earliest written records into the twentieth century, the contributors draw on a wide range of disciplines to explore the dynamic interaction between the notional insects that infested authors' imaginations and the six-legged creatures buzzing, hopping, and crawling around them.

"Environmental anthropology is at its best when firmly grounded in respectful and systematic ethnographic research and writing that spotlights uncommon perspectives on widely recognized issues confronting the world. Intentionally crafted for undergraduate course use in anthropology, geography, and environmental studies, Sustaining Natures showcases the best contemporary writing on nature and sustainability. With concise introductions and sample discussion questions, the editors guide readers through some of the field's most pressing themes and debates, including farming, alternative energy, extractive industries, environmental justice, multispecies relationships, and urban ecology. This timely reader foregrounds diverse voices, views, and experiences of nature, from US corporate boardrooms to urban waste disposal sites in China, and moves environmental anthropology in new theoretical, methodological, and applied terrains"--

"A multispecies history of the globalized United States, Bellwether Histories reveals how animals have been ensnared in colonialism, capitalism, and environmental destruction as human decisions created and perpetuated untenable and unequal interspecies relationships. The collection's authors explore how people misunderstood or ignored animal crises precipitated by habitat destruction and population declines, sudden dependence on human aid, shifts from freedom to captivity, or subjection to overextended management systems"--

Personal accounts help us understand notions of self, interpersonal relations, and historical events. Chinese Autobiographical Writing contains full translations of works by fifty individuals that illuminate the history and conventions of writing about oneself in the Chinese tradition. From poetry, letters, and diaries to statements in legal proceedings, these engaging and readable works draw us into the past and provide vivid details of life as it was lived from the pre-imperial period to the nineteenth century. Some focus on a person's entire life, others on a specific moment. Some have an element of humor, others are entirely serious. Taken together, these selections offer an intimate view of how Chinese men and women, both famous and obscure, reflected on their experiences as well as their personal struggles and innermost thoughts.With an introduction and list of additional readings for each selection, this volume is ideal for undergraduate courses on Chinese history, literature, religion, and women and family. Read individually, each piece illuminates a person, place, and moment. Read in chronological order, they highlight cultural change over time by showing how people explored new ways to represent themselves in writing.The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

"The world is well aware of the dramatic rise of markets and consumerism in China's post-Mao era of political and economic reform. By contrast, the Mao period (1949-1976)-rightly framed as a time of scarcity-initially appears to have had little material culture to speak of. But availability of fewer commodities does not mean a lack of material culture. A wide range of materials, objects, and practices comprised the fabric of everyday life in Maoist China, as industries were invented and reinvented at the level of material and products, from bamboo to bricks, and from pickles to wristwatches. People attributed great meaning to material and objects often precisely because they were rare and difficult to obtain. This first volume devoted to material culture of the period explores the paradox of consumption under Chinese Communist Party rule and illustrates how central materiality was to individual and collective desire, social and economic construction of the country, and projections of an imminent socialist utopia in reach of every man and woman, if only they worked hard enough. Chapters focus on materials, how things were produced, how they circulated, and how they were used. Together, they suggest that new understandings of material culture helped to shape the socialist subject, while also calling into question our standard definitions of what Maoist socialism was and how it was experienced"--

This volume features the work of six Indigenous artists whose craft speaks to the responsibility of honoring cultural traditions while shaping the future. Joe Feddersen (Arrow Lakes/Okanagan) is a printmaker, glass artist, and basket maker who creates geometric patterns sourced from everyday life. Multimedia artist Erica Lord (Athabascan/Iñupiat) crafts beaded burden straps and sled dog blankets with abstracted representations of diseases that disproportionately affect Native and other marginalized communities. Geo Neptune (Passamaquoddy) is a master basket maker, activist, and educator who uses colorful narrative to emphasize the honor and burden of keeping tradition alive. Sisters Lily Hope and Ursala Hudson (Tlingit) weave labor-intensive textiles that convey Tlingit values of reciprocity and balance, maintaining cultural integrity while experimenting with new forms and materials. Textile artist Maggie Thompson (Fond du Luc Ojibwe) creates large-scale works that explore the intersections of grief and trauma with honor, beauty, and healing.Exhibition dates: Renwick Gallery, May 26, 2023 ¿ March 31, 2024

Cultural creativity in China between 1796 and 1912 demonstrated extraordinary resilience in a time of warfare, land shortages, famine, and uprisings. Innovation can be seen in material culture (including print, painting, calligraphy, textiles, jewelry, ceramics, lacquer, arms and armor, and photography) during a century in which China's art, literature, crafts, and technology faced unprecedented exposure to global influences.Until recently the nineteenth century in China has been defined as an era of cultural stagnation. Built on new research, this book sets out a fresh understanding of this important period and creates a detailed visual account of responses to war, technology, urbanization, political transformations, and external influences. The narratives are brought to life and individualized through illustrated biographical accounts that highlight the diversity of voices and experiences contributing to this fascinating, turbulent period in Chinese history.Exhibition dates: British Museum, May-October 2023