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Composed at the height of the Hundred Years War by Geoffroi de Charny, one of the most respected knights of his age, A Knight's Own Book of Chivalry is an invaluable guide to fourteenth-century knighthood.

Mass produced of tin-lead alloys and cheap to purchase, medieval badges were brooch-like objects displaying familiar images. Sumptuously illustrated, Medieval Badges considers all badges, whether they originated in religious or secular contexts, and highlights the ways in which badges could confer meaning and identity on their wearers.

Religious Freedom Under Scrutiny argues that without freedom of religion or belief, human rights cannot fully address the needs, yearnings, and vulnerabilities of human beings and that marginalizing freedom of religion or belief would weaken the plausibility and legitimacy of the entire system of human rights.

The city of Hebron is important to Jewish, Islamic, and Christian traditions as home to the Tomb of the Patriarchs, the burial site of three biblical couples: Abraham and Sarah, Isaac and Rebecca, and Jacob and Leah. Today, Hebron is one of the epicenters of the Israel-Palestine conflict, consisting of two unequal populations: a traditional Palestinian majority without citizenship, and a fundamentalist Jewish settler minority with full legal rights. Contemporary Jewish settler practices and sensibilities, legal gray zones, and ruling complicities have remade Hebron into a divided Palestinian city surrounded by a landscape of fragmented, militarized strongholds.In Settling Hebron, Tamara Neuman examines how religion functions as ideology in Hebron, with a focus on Jewish settler expansion and its close but ambivalent relationship to the Israeli state. Neuman presents the first critical ethnography of the Jewish settler populations in Kiryat Arba and the adjacent Jewish Quarter in the Old City of Hebron,considered by many Israelis as the most "ideological" of settlements. Through extensive fieldwork, interviews with settlers, soldiers, displaced Palestinian urban residents and farmers as well as archival research, Neuman challenges dismissive portraits of settlers as rigid, fanatical adherents of an anachronistic worldview. At the same time, she reveals the extent of disconnection between these settler communities and mainstream Modern Orthodox Judaism, both of which interpret written sources on the sacredness of land—biblical texts, rabbinic commentary, and mystical traditions—in radically different ways. Neuman also traces the violent results of a settler formation, Palestinian responses to settler encroachment, and the connection between ideological settlement and economic processes. Settling Hebron explores the complexity of Hebron''s Jewish settler community in its own right—through its routine practices and rituals, its most extreme instances of fundamentalist revision and violence, and its strategic relationships with successive Israeli governments.

Stephen A. Mitchell offers the fullest examination available of witchcraft in late medieval Scandinavia, drawing on extensive sources ranging from the Icelandic sagas to those much less familiar to the nonspecialist: legal cases, church frescoes, law codes, ecclesiastical records, and surviving runic spells.

An account of the first setback suffered by the Allies following the invasion of Europe.

Producing Fashion looks to the past, revealing the rationale behind style choices, while explaining how the interplay of custom, invented traditions, and sales imperatives continue to drive innovation in the fashion industries.

An engaging narrative history of the origins of formal education in the West. Winner of the Jacques Barzun Prize in Cultural History, awarded by the American Philosophical Society.

This book brings together five of Goffman's seminal essays: "Replies and Responses," "Response Cries," "Footing," "The Lecture," and "Radio Talk."

A compact discussion of being, truth, and reality by Karl Jaspers (1883-1969), the founder of German existentialism.

"Kramer ranked among the world's foremost Sumerologists... The book will interest both the scholar and the general educated reader."-Religious Studies Bulletin

Theodore Evergates has assembled, translated, and annotated some two hundred documents from the country of Champagne into a sourcebook that focuses on the political, economic, and legal workings of a feudal society, uncovering the details of private life and social history that are embedded in the official records.

Spanning six continents-Europe, Australia, Africa, Asia, North America, and South America-this edited collection offers a comparative, transnational study of Holocaust and human rights museums that foregrounds the overlapping and often contested work these institutions do in narrating and memorializing histories of genocide and human rights abuses for a public audience. Museums that link the Holocaust with social justice, human rights, and genocide prevention have been founded in many countries-for example, the Kazerne Dossin Memorial Museum in Belgium, the Anne Frank House in the Netherlands, and the Johannesburg Holocaust and Genocide Centre in South Africa-making Holocaust and human rights museums a global phenomenon. It is not uncommon for these institutions to court controversy by linking the Holocaust to human rights issues in their locales and abroad. Some begin from a "Holocaust core" and extrapolate from this history to address broader concerns, while others integrate the Holocaust as "a" or, at times, "the" case study par excellence of human rights abuses. Other institutions that may not explicitly focus on the Holocaust continue to engage these representational practices to highlight other instances of genocide and human rights abuses.The case studies in this book illuminate the convergences between Holocaust and human rights museums in their demands for social justice and reparation, educational and activist purpose, design principles, and curatorial choices. But it also shows how these museums can also be sites of contestation around how stories of suffering, courage, and survival are told; whose stories are prioritized; and who is consulted. Although Holocaust museums were once the most influential form of representation of human rights issues in the international museum and heritage fields, they are now in dialogue-visually, spatially, methodologically-with museums and memorial sites concerned with human rights more broadly. Interrogating debates in both museology and Holocaust memory studies, this volume reveals how institutions dedicated to these concerns have become active and influential contributors to local, national, and transnational dialogues about human rights.Contributors: Avril Alba, Brook Andrew, Jennifer Barrett, Jennifer Carter, Danielle Celermajer, Steven Cooke, Donna-Lee Frieze, Shirli Gilbert, Sulamith Graefenstein, Christoph Hanzig, Vannessa Hearman, Rosanne Kennedy, Marcia Langton, Edwina Light, Wendy Lipworth, A. Dirk Moses, Tali Nates, Jessica Neath, Michael Robertson, Amy Sodaro, Garry Walter.

A richly illustrated presentation of the latest research on traditional American folk artAmericana Insights 2024 is the second volume of an annual series that presents the latest research and discoveries on traditional American folk art and material culture. This installment explores a diverse range of craftspeople and artifacts, treating readers to a journey from Appalachia to the mid-Atlantic and New England, and even onto the Atlantic Ocean. Each essay offers a fresh perspective on American creativity and ingenuity, introducing readers to the makers and materials of early America. This remains the only interdisciplinary publication devoted exclusively to traditional Americana and folk art.Contributors cover a range of topics including historic Cherokee river cane basket weaving traditions, New England folk artists Sturtevant J. Hamblin, the almshouse paintings of German immigrant Charles Hofmann, and the display of American antiques on mid-twentieth-century ocean liners. Additional subjects include Pennsylvania German fraktur, carousel carving, carriage signs, quilts, and game boards. Contributors: Trevor Brandt, Paul D'Ambrosio, Tobin Fraley, Emelie Gevalt, Christopher Malone, Richard Miller, Matthew Monk, Amelia Peck, Christian Roden, Cynthia Schaffner, Eileen M. Smiles, Jennifer Swope.

A comprehensive history of Philadelphia from the region's original Lenape inhabitants to the myriad of residents in the twenty-first centuryPhiladelphia is famous for its colonial and revolutionary buildings and artifacts, which draw tourists from far and wide to gain a better understanding of the nation's founding. Philadelphians, too, value these same buildings and artifacts for the stories they tell about their city. But Philadelphia existed long before the Liberty Bell was first rung, and its history extends well beyond the American Revolution.In Philadelphia: A Narrative History, Paul Kahan presents a comprehensive portrait of the city, from the region's original Lenape inhabitants to the myriad of residents in the twenty-first century.As any history of Philadelphia should, this book chronicles the people and places that make the city unique: from Independence Hall to Eastern State Penitentiary, Benjamin Franklin and Betsy Ross to Cecil B. Moore and Cherelle Parker. Kahan also shows us how Philadelphia has always been defined by ethnic, religious, and racial diversity-from the seventeenth century, when Dutch, Swedes, and Lenapes lived side by side along the Delaware; to the nineteenth century, when the city was home to a vibrant community of free Black and formerly enslaved people; to the twentieth century, when it attracted immigrants from around the world. This diversity, however, often resulted in conflict, especially over access to public spaces. Those two themes- diversity and conflict- have shaped Philadelphia's development and remain visible in the city's culture, society, and even its geography. Understanding Philadelphia's past, Kahan says, is key to envisioning future possibilities for the City of Brotherly Love.

When women have full socioeconomic citizenship as well as equitable and respectful partnerships with men, transformative justice can be sustained in postconflict societiesIn Women's Work, Jennifer Moore presents a reimagined theory of peacebuilding and transformative justice based on the experiences and insights of women farmers and microentrepreneurs who lived through protracted civil conflicts, drawing on seven years of interviews with women activists across ten communities-five in the Acholi region of Northern Uganda and five in the Moyamba and Koinadugu Districts of Sierra Leone. Despite the important differences between the preconflict and conflict histories and demographics of the two countries, Moore finds commonalities in the practical, yet visionary, approaches to community life emerging from the core values, daily activities, and long-range goals shared by rural cooperative members in both regions.Collective survival, communal healing, and conflict resolution define the rhythm of these women's daily lives as they go about building peace, piecemeal. They reject punitive retribution models and demand, instead, a peacebuilding model that advocates for advances in material well-being, the acknowledgment of state accountability for community suffering, and reconciliation and restoration of community networks. But most important, Moore amplifies these women's voices when they insist that legal equality for women and healthy partnerships between women and men are also essential components to enduring transformation of their societies.Moore theorizes what peacebuilding look like if it were modeled on these women-led, matriarchically structured communities that proved not only to be effective at holding governments accountable but also to have the capacity to feed their people and revitalize their local economies. Women's Work shows that when women have full socioeconomic citizenship as well as equitable and respectful partnerships with men, transformative justice can be sustained through the arts of collective livelihood, violence-free conflict management, and celebration.

An investigation of the connections between the parallel rise of modern Hebrew and modern mediaAfter lying dormant for two millennia as a mainly written language, Hebrew awoke from its literary slumber to become a living modern vernacular. This revitalization is unique and unprecedented in world history, and its success has been studied in fields from linguistics to cultural history. However, the role of modern technologies in mediating this revival has not yet been considered.What happens when an ancient language meets modern technology? Lingua Ex Machina explores such a moment in its investigation of the role media technologies-including typewriters, phonographs, and computers-played in the revitalization and modernization of Hebrew from the end of the nineteenth century into the present day.Ido Ramati examines the role sound recording technologies played in shaping the reemergence of modern Hebrew speech, reveals how the Hebraized typewriter pushed for the modernization of writing in Hebrew, and ultimately argues that these media-whose development and adoption paralleled the revitalization of Hebrew-were an active force in shaping the language as a modern communicative medium. This case study of Hebrew furnishes researchers with a rare opportunity to investigate the complex relation between language, its speakers, and technology at a decisive moment, and sheds new light on the study of media technologies and their theoretical, lingual, and social implications.

An ethnography of a long-unbuilt mosque in Greece that explores government operations and contemporary democracyWhy Not Build the Mosque? tells the story of the Greek state's centuries-long attempt to build a central mosque. After the fall of Ottoman Empire, Greek Orthodoxy entwined with Greek nationalism, and by the twentieth century, the state came to imagine Islam as incompatible with a Greek-speaking Orthodox Christian identity. And so as late as 2020, the contemporary Greek state did not have a mosque, even as its Islamic population grew and increasingly required a place of worship.Focusing on the failed effort in the early 2000s to build a mosque in a suburb of Athens and on the subsequent, successful realization of the project in 2020, Dimitris Antoniou investigates the roles that the Orthodox Church, politicians concerned about the "political cost" of supporting a mosque, and the community played in the project's delays, failures, and its bittersweet success. The mosque that was ultimately built in 2020 was itself a compromise, a modest building that failed to deliver on the dreamed-of and finally illusory building discussed in the 2000s.As Antoniou brings readers from under-the-radar home mosques to the offices of polling companies, politicians, and media corporations, he reveals that the years-long debate over if, how, and where to build a mosque wasa matter greater than religion or nationalism alone. Indeed, the story of the central mosque in Athens compellingly demonstrates how productive unrealized plans can be for some stakeholders-here politicians and members of media who built reputations on their support for or opposition to the unbuilt mosque-while leaving other stakeholders unable to move a project forward even when the will of the majority is with them. Ultimately, Why Not Build the Mosque? sheds light on what it takes for a government to make tangible changes-to infrastructure, in development, for a community-happen in contemporary democracies.

Links early modern English drama and empire studies, exploring how staged scenes of maritime peril created a new form of economic uncertaintyImperial Ventures links early modern English drama and empire studies, exploring how staged scenes of maritime peril created a new form of economic uncertainty around the turn of the seventeenth century, amid London's explosion in commercial colonialism.While the hazards of global maritime trade became increasingly apparent during the late sixteenth and early seventeenth centuries, the word "risk" did not enter English usage until around 1660. The prevailing scholarly narrative has linked uncertainty to concepts such as "chance," "accident," and "providence," but this book reveals that these fragmentary concepts were reordered into an economic abstraction, and that the theater was a key site for that process. Playwrights reached for ways to represent this new uncertainty, and audiences watched perilous voyages set in colonial contexts and dramatized in increasingly typical forms. Imperial Ventures is organized by these forms, with five chapters examining scenes of shipwreck, pirates, enslavement, colonial subjection, and perilous news across a wide range of early modern plays.Benjamin VanWagoner shows how maritime drama connected English venturing to economic vulnerability in increasingly systematic ways, helping to develop the economic logic that would come to be codified as risk. In revealing this process, Imperial Ventures establishes the unique protocolonial status of early modern England-in the theater and at sea-and demonstrates how risk became a perverse instrument for justifying Anglophone imperialism.

Crusading for Globalization tells the story of an extraordinarily influential group of business executives at the helms of the largest US multinational corporations and their quest to drive globalization forward over the last eight decades. Janick Marina Schaufelbuehl argues that the spectacular expansion of international investment, trade, and production after 1945 cannot be understood without considering the role played by these corporate globalizers and the organization they created, the US Council (today's United States Council for International Business). By shaping governmental policy through their congressional lobbying and close connections to successive presidential administrations, US Council members, including executives from General Electric, Coca Cola, and IBM, among others, consistently fought for ever more market deregulation, culminating in the creation of the World Trade Organization in 1995.Crusading for Globalization is also a book about those who opposed the growing might of multinationals. In the years immediately after World War II, resistance came from business protectionists, before labor and policymakers from the Global South joined the effort in the early 1970s. Schaufelbuehl breaks new ground by offering a panorama of this early anti-globalization movement, and by showing how the leaders of multinationals organized to limit its political influence. She also examines continuities between this early movement and the opposition to globalization that emerged at the beginning of the twenty-first century from the left and the populist right and discusses how business responded by promoting corporate social responsibility and voluntary guidelines.The first book to shed light on what caused corporate executives to pursue a pro-globalization agenda and to examine their methods for dealing with their opponents, Crusading for Globalization reveals the historical roots of today's disparities in wealth and income distribution.

This volume explores the history of Jewish life and experience in the modern Islamic worldLonging and Belonging investigates the histories of Jews living among Muslims from 1900 until 1950, both inside and outside the Ottoman Empire and after its demise. Here, modern Jewish protagonists are revealed as active participants in an expansive Islamic civilization, reflecting a mutuality and cross-fertilization in the region that raises new lines of inquiry and which offers enduring lessons for the world today. This collection both foregrounds the experiences of Jewish communities that have long been relegated to the margins of historical and literary studies and, critically, uses these experiences to complicate prevailing narratives from both Jewish and Middle Eastern Studies. By following communities from the coffeeshops of Cairo to the villages of Yemen, from the local marriage market in Izmir to the global commerce of the Sassoons, readers gain intimate insight into a world that resists a simple understanding of the modern Islamic world and of the history of Judaism. Just as much as the Sephardi and Mizrahi experience complicates prevailing paradigms in the study of Jewish modernity, so too does it enrich understandings of modernity across Muslim societies. The volume tells a story of longing, belonging, and longing to belong, of multiple affinities in a world that no longer exists.Contributors: Esra Almas, Nancy E. Berg, Dina Danon, Keren Dotan, Annie Greene, Alma Rachel Heckman, Hadar Feldman Samet, Joseph Sassoon, Edwin Seroussi, Alon Tam, Alan Verskin, Mark Wagner.

State of Shock decodes one of the most iconic images of Zionism and Israel: the kibbutz. Lior Libman offers original theoretical and historiographical insights into the imagery and the history of the kibbutz, and, through them, of Hebrew literature and Israeli culture more broadly. Arguing that the establishment of the State of Israel was a rupture that destabilized the kibbutz's deepest conceptual ground and shifted its history, the book uncovers the seemingly surprising Hasidic resonances in the identity of the kibbutz and its self-perception as fulfilling the metaphysical in the physical. By interrogating the changes and upheavals brought about by Jewish sovereignty, their impact on the kibbutz, and its response to them, Libman defines the kibbutz's transition into Israeli statehood as a cultural trauma which robbed it of its familiar frames for interpreting historical experience. Disoriented, the kibbutz reacted in shock: it was unable to reimagine itself in the new conditions. Libman charts how the kibbutz, originally conceived as avant garde--a political and aesthetic form that acts in history--began its demise in 1948, in the early years of the State of Israel. Turning from its origin as a breakaway human-creation engaged in a constant process of becoming--of history-making--the kibbutz, Libman shows, transformed into a fetish: a sanctified, substitutional, fossilized political and aesthetic object of compulsive metaphysical longing, frozen in time and detached from history.

On Revival is a critique of one of the most important tenets of Zionist thinking: "Hebrew revival," or the idea that Hebrew--a largely unspoken language before the twentieth century--was revitalized as part of a broader national "revival" which ultimately led to the establishment of the Israeli nation-state. This story of language revival has been commemorated in Israeli popular memory and in Jewish historiography as a triumphant transformation narrative that marks the success of the Zionist revolution. But a closer look at the work of early twentieth-century Hebrew writers reveals different sentiments. Roni Henig explores the loaded, figurative discourse of revival in the work of Hebrew authors and thinkers working roughly between 1890 and 1920. For these authors, the language once known as "the holy tongue" became a vernacular in the making. Rather than embracing "revival" as a neutral, descriptive term, Henig takes a critical approach, employing close readings of canonical texts to analyze the primary tropes used to articulate this aesthetic and political project of "reviving" Hebrew. She shows that for many writers, the national mission of language revival was entwined with a sense of mourning and loss. These writers perceived--and simultaneously produced--the language as neither dead nor fully alive. Henig argues that it is this figure of the living-dead that lies at the heart of the revival discourse and which is constitutive of Jewish nationalism. On Revival contributes to current debates in comparative literary studies by addressing the limitations of the national language paradigm and thinking beyond concepts of origin, nativity, and possession in language. Informed by critical literary theory, including feminist and postcolonial critiques, the book challenges Zionism's monolingual lens and the auto-Orientalism involved in the project of revival, questioning charged ideological concepts such as "native speaker" and "mother tongue."