Bøker utgitt av University of Nebraska Press

Simone Weil, the French philosopher, political activist, and religious mystic, was little known when she died in 1943. The aphorisms in this book reflect the religious philosophy of Weil's last years. This book shows why critics have called Weil "a great soul who might have become a saint" and "the outsider as saint, in an age of alienation".

Describes a love between two women in its totality, experienced as both a physical presence and a sense of infinity. This book also notes the contemporary emphasis on 'fictions of presence'.

Chronicles one man's journey through the fearful expanse of midlife in a quest for peace, parts, and a happy second fatherhood. With limited mechanical skills, and a cast of local experts, the author takes us down the rocky road of restoration to the headlong, heart-thrilling rush of open highway on his on his midnight-blue Millennium Flyer.

The first and second editions of The Masters took the unique approach of tackling Augusta National hole by hole. David Sowell returns to Augusta with this third edition, adding more history and updating each hole with additional stories of greatness and tales of woe for a new generation of golfers.

Tells the heart-wrenching story of the Columbia tragedy and the loss of the magnificent STS-107 crew.

Proposes that contemporary US queer culture is gothic at its core. Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought, Westengard argues that a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.

Carson, a postgraduate of the University of the Wilderness, and for a decade past a national hero, was persuaded to dictate to a literate friend his own story of his life to date.

Despite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop's music in luxury cruise advertisements, Jeffrey T. Nealon argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central organizing use for the values of twentieth-century popular music: being authentic, being your own person, and being free. In short, not being like everybody else.Through a consideration of the shift in dominant modes of power in the American twentieth and twenty-first centuries, from what Michel Foucault calls a dominant "disciplinary" mode of power to a "biopolitical" mode, Nealon argues that the modes of musical "resistance" need to be completely rethought and that a commitment to musical authenticity or meaning--saying "no" to the mainstream--is no longer primarily where we might look for music to function against the grain.Rather, it is in the technological revolutions that allow biopolitical subjects to deploy music within an everyday set of practices (MP3 listening on smartphones and iPods, streaming and downloading on the internet, the background music that plays nearly everywhere) that one might find a kind of ambient or ubiquitous answer to the "attention capitalism" that has come to organize neoliberalism in the American present. In short, Nealon stages the final confrontation between "keepin' it real" and "sellin' out." 

This collection of poems examines the varied ways women navigate gender roles, while examining praise for success within roles where imagination about female ability is limited. The Kitchen-Dweller's Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another.

Beneath the earth's surface lies a world of eternal daylight - Pellucidar. Scattered throughout are communities of distrustful humans and the cities of the reptilian, highly evolved Mahars. The authors' discovery of Pellucidar and the struggle to unite the human communities and overthrow the Mahars is a tale of conquest, deceit, and wonder.

Rate your pain on a scale of one to ten. What about on a scale of spicy to citrus? Is it more like a lava lamp or a mosaic? Pain, though a universal element of human experience, is dimly understood and sometimes barely managed. Pain Woman Takes Your Keys, and Other Essays from a Nervous System is a collection of literary and experimental essays about living with chronic pain.

Offers an adulation of love as both mystery and revelation. This book is dedicated to defying "the widespread opinion that love wears out, like the diamond, in its own dust."

The author chronicles how basketball and hip hop have gone from being reviled by the American mainstream in the 1970s to being embraced and imitated globally today. For young black men, he argues, they represent a new version of the American dream, one embodying the hopes and desires of those excluded from the original version.

Jubal A Early's disastrous battles in the Shenandoah Valley ultimately resulted in his ignominious dismissal. Focusing on military tactics and battle history in uncovering the facts and events of various battles, the author offers a fresh perspective on his contributions to the Confederate war effort - and to Union battle plans and politicking.

Offers a focused treatment of the rock and pop songs of Frank Zappa (1940-93), the great American composer. This book examines various aspects of his work, from his role as a satirist of the highest order to his place in the genre of "progressive rock" and his importance as an influential critic of American culture and society.

Offers a documented criticism of the assumptions and the effects of industrial agriculture. This book proposes practical remedies. It documents some trends in our ability to produce food.

Sylvia Beach was intimately acquainted with the expatriate and visiting writers of the Lost Generation, a label that she never accepted. This book evokes the zeitgeist of an era through its revealing glimpses of James Joyce, Ernest Hemingway, Scott Fitzgerald, Sherwood Anderson, Andre Gide, Ezra Pound, and others already famous or soon to be.

In Of Corn and Catholicism Andrea Maria McComb Sanchez examines the development of the patron saint feast days among Eastern Pueblo Indians of New Mexico from the seventeenth century to the late nineteenth century. Focusing on the ways Pueblo religion intertwined with Spanish Catholicism, McComb Sanchez explores feast days as sites of religious resistance, accommodation, and appropriation. McComb Sanchez introduces the term "bounded incorporation" to conceptualize how Eastern Pueblo people kept boundaries flexible: as they incorporated aspects of Catholicism, they changed Catholicism as well, making it part of their traditional religious lifeways. McComb Sanchez uses archival and published primary sources, anthropological records, and her qualitative fieldwork to discuss how Pueblo religion was kept secret and safe during the violence of seventeenth-century Spanish colonialism in New Mexico; how Eastern Pueblos developed strategies of resistance and accommodation, in addition to secrecy, to deal with missionaries and Catholicism in the eighteenth and early nineteenth centuries; how patron saint feast days emerged as a way of incorporating a foreign religion on the Pueblo's own terms; and how, by the later nineteenth century, these feast days played significant roles in both Pueblo and Hispano communities through the Pueblos' own initiative.

Boston is a city known for its sports as well as its troubled racial reputation. But generations of Black athletes, teams, sportswriters, and front-office executives have exercised historic influence in Boston over the years as they advocated for racial integration and transformed their sports into modes of racial pride, resistance, and cultural expression. Race and Resistance in Boston goes beyond the familiar topics associated with the city's premiere professional teams, the Red Sox and Celtics, to recount the long history of Black sporting culture in the city. This collection of essays takes a closer look at Black Bostonians' involvement in sports as varied as soccer, cricket, boxing, baseball, golf, tennis, basketball, and hockey--and illuminates the effect of Boston's desegregation and busing crisis on scholastic athletics in the 1970s and 1980s. With personal reminiscences from former Patriot Devin McCourty and journalist Bijan Bayne and research from scholars of sport, Race and Resistance in Boston captures the intersection of Black history and sporting culture in America's City on a Hill.

Star Bound is a book for anyone who wants to learn about the American space program but isn't sure where to start. First and foremost, it's a history--short, sweet, and straightforward. From rocketry pioneer Robert Goddard's primitive flight tests in 1926 through the creation of NASA, from our first steps on the moon to construction of the International Space Station and planning a trip to Mars, readers will meet the people and projects that have put the United States at the forefront of space exploration. Along the way, they'll learn: - How the United States beat the Soviets to the moon - Why astronauts float in space (Hint: It's not for lack of gravity!) - How fast rockets have to go to stay in orbit around Earth - How we can "look back in time" through a space telescope With technology evolving and humanity's understanding of the universe expanding, we are entering an exciting period of space exploration. Authored by two veteran space writers with unique insights into the topic, Star Bound offers up the story of Americans in space with a focus on the cultural and societal contexts of the country's most important missions rather than engineering and technical minutiae. Vibrant, positive, and humorous, Star Bound is packed with facts and stories for novice space fans. And sprinkled in with the history are lists of the greatest space songs, books, movies, and more--all designed to make space exploration accessible to even the casual reader.

Winner of the Sillerman First Book Prize for African Poets The poems in Leaked Footages carry urgent subjects, ranging from death to disappearance to grief to memory. Not only do the poems fulfill the tradition of witnessing often manifested in contemporary poets such as Garous Abdolmalekian and Ilya Kaminsky, but they extend that tradition by the medium through which they witness: the technical and the technological. Here, the camera, the closed-circuit TV, cinematographic techniques, and the cyborg are trusted for truth-telling. Reality is represented in footage seen through the eyes of multifaceted speakers. In Abu Bakr Sadiq's exploration of northern Nigeria in speculative poetry, the lyrical meets the chronicle. In this fusion of Afrofuturism with experimental poetic techniques, the reader witnesses a country ravaged by terrorism and the consequences of war, as well as the effects of these on those who survive. While the tone is grave with concern and conscience, the poems do not take the easy route of sentiment. Instead, attention is paid to structure--from the erasure poems that are informed by the theme of disappearance to the contrapuntal poems that are influenced by the testaments of leaving.

Taking Charge, Making Change gives voice to generations of Native people--from Crow Creek, Lower Brule, and other reservations in North Dakota and South Dakota--who shaped a school originally designed to foster Catholicism and assimilation. Local initiatives and collaboration transformed the Catholic Stephan Mission boarding school into the Crow Creek Tribal School, which now features both tribal traditions and American educational programs. Through archival research and interviews with parents, graduates, teachers, and staff at Crow Creek and the surrounding community, Robert W. Galler Jr. places Native students at the heart of the narrative, demonstrating multifaceted family connections at a nineteenth-century, on-reservation religious school that evolved into a tribally-run institution in the 1970s. He shows numerous ways that community members worked with Catholic leaders and ultimately transformed their mindsets and educational approaches over nearly a century. While recognizing the many challenges and tragedies that Native students endured, Galler highlights the creativity, collaborations, and contributions of the students and graduates to their communities. Taking Charge, Making Change shows how individuals and families helped to found the school, maintain enrollment, secure funding, and influence school policies. Its graduates went on to serve with distinction in the U.S. military, earned advanced degrees after college, joined and led tribal councils in North and South Dakota, helped their communities push back against federal policies, and continue to run their own education system.

Willie McCovey, known as "Stretch," played Major League Baseball from 1959 to 1980, most notably as a member of the San Francisco Giants for nineteen seasons. A fearsome left-handed power hitter, McCovey ranked second only to Babe Ruth in career home runs among left-handed batters, and tied for eighth overall with Ted Williams, at the time of his retirement. He was a six-time All-Star, three-time National League home run champion, and 1969 league MVP, and he was inducted into the Baseball Hall of Fame in 1986 in his first year of eligibility. Known as a dead-pull line-drive hitter, McCovey was called "the scariest hitter in baseball" by pitcher Bob Gibson. Born in Mobile, Alabama, McCovey encountered daunting hurdles, such as Jim Crow laws that prevented him from playing organized ball as a youth and playing for Major League managers such as Tom Sheehan and Alvin Dark who took a dim view of his abilities. But neither that nor other difficulties on the field--the platooning, the slights, the unrelenting injuries--seemed to affect McCovey as he remained grateful to be playing baseball. McCovey was the most treasured Bay Area icon of all, a humble, approachable superstar who earned the admiration of seemingly everyone he encountered. McCovey's life wasn't measured in his home run and RBI totals, though those were impressive. His greatest significance lay in the warmth and respect he extended and which others reciprocated. These elements elevated McCovey to a pantheon where relatively few athletes reside. He remains synonymous with not just the team he ennobled but also the city he represented. In A Giant among Giants, the first biography of McCovey, who passed away in 2018 at the age of eighty, Chris Haft tells the story of one of baseball's best hitters and most beloved players.

Free Listening offers a radical reframing of seemingly intractable debates and polarized positions on free speech, academic freedom, systemic injustice, and political dissent by shifting attention from our voices to our ears. Instead of reclaiming the terrain of free speech that is increasingly ceded to conservatives, Naomi Waltham-Smith argues that progressives should assume a more radical task--to liberate listening from those frameworks that have determined what freedom looks like, who enjoys it, and at what cost. Refocusing on aural responsiveness forces a confrontation with the liberal tradition that has traditionally anchored claims for freedom of expression and inquiry. If listening is placed at the heart of public deliberation and disagreeing well, the relational, open-ended, and unpredictable character of free expression becomes a common good. In a wide-ranging critical reflection on issues from civility to criticality, righteous anger to gentle listening, and silencing to streaming platforms, Free Listening makes an ambitious contribution to sound studies and political philosophy. Weaving together deconstruction, Black political thought, and decolonial theory, Waltham-Smith argues that the retort to accusations of "cancel culture" should be a revival of abolition democracy.

In earlier work Patrick Colm Hogan argued that a few story genres--heroic, romantic, sacrificial, and others--recur prominently across separate literary traditions. These structures recur because they derive from important emotion-motivation systems governing human social interaction, such as group pride and shame. In Colonialism and Literature Hogan extends this work to argue that these genres play a prominent role in the fashioning of postcolonization literature--literature encompassing both the colonial and postcolonial periods. Crucially, colonizers and colonized people commonly understand and explain their situation in terms of these narrative structures. In other words, the stories we tell to some degree simply reflect the facts. But we also tend to interpret our condition in terms of genre, with the genre guiding us about what to record and how to evaluate it. Hogan explores these consequential processes in theoretical and literary analysis, presenting extended, culturally and historically specified interpretations of works by Pádraic Pearse (Ireland), Ngũgĩ wa Thiong'o (Kenya), Yasujiro Ozu (Japan), J. M. Coetzee (South Africa), Margaret Atwood (Canada), Rabindranath Tagore (India), Abderrahmane Sissako (Mali), and Dinabandhu Mitra (India).

In recent years the Grand Staircase-Escalante National Monument in southern Utah has figured prominently in the long and ongoing struggle over the meaning and value of America's public lands. In 1996 President Bill Clinton used the Antiquities Act to create the monument, with the goal of protecting scientific and historic resources. His action incensed Utah elected officials and local residents who were neither informed nor consulted beforehand, and opposition to the monument has continued to make its day-to-day management problematic. In 2017 President Donald Trump reduced the monument's size, an action immediately challenged by multiple lawsuits; subsequently, President Joe Biden restored the monument in 2021. In Public Land and Democracy in America Julie Brugger brings into focus the perspectives of a variety of groups affected by conflict over the monument, including residents of adjacent communities, ranchers, federal land management agency employees, and environmentalists. In the process of following management disputes at the monument over the years, Brugger considers how conceptions of democracy have shaped and been shaped by the regional landscape and by these disputes. Through this ethnographic evidence, Brugger proposes a concept of democracy that encompasses disparate meanings and experiences, embraces conflict, and suggests a crucial role for public lands in transforming antagonism into agonism.