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In this haunting illustration of the treatment of mental health and chilling Gothic tale, a woman is confined to a room and forbidden to do anything interesting, and loses her mind. In 1887, following a nervous breakdown, Gilman had been sent to a leading neurologist, she explains in 'Why I Wrote The Yellow Wallpaper', also included in this volume.

House clearances, charity shops, jumble sales and skips... The significance of everyday possessions, heightened by absence...If objects could talk of the dead, what would they say?Taking in its sights 'the significance of everyday possessions', All that Remains is a powerful and poignant collection resulting from a collaboration between disciplines of art. Featuring ten beautiful full-page paintings, interwoven with poems, it forces us to consider what we leave behind in the everyday items we have amassed.

Silent Movements brings all Simon Mundy's experience in politics and the music business together. Set in 1980 at the end of the Cold War, it tells the story of a Soviet violinist being helped by a young British cellist to defect.

Pip is forever arriving late and losing things, and things happen around her. She's always just written it off as part of her personality, but a late diagnosis of ADHD changes everything.Character Flaw deftly exposes life before and after the diagnosis, and its intersection with queerness.

Building Bridges is a poetry anthology that seeks to provide a platform for stories and voices that have been marginalised, and to celebrate the great diversity and rich variation in the identities and communities of people from around the world and from a huge cross-section of walks of life.

1999. Lucy is in labour. She's just been handed a document to sign and her sense of self is beginning to deteriorate. 2024. Claire is an art student. Her latest panic attack means her art course could be over. Oh, and she can't stop contemplating her own mortality. Claire and Lucy have OCD. But they don't know that yet. Misdiagnosis, mistreatment and misinformation around OCD were rife in 1999... And still are now.

A beautifully written, lyrical work, Her Winter Song is a folkloric fable about white horses, shadows, possession and terrible deeds in the Wiltshire uplands that gives a firm nod to the classic ghost-story writer M.R. James, and, with the help of the gorgeous illustrations by Maya Chessman, breathes new life into winters yet to come.

A group of pilgrims assembles at the Tabard Inn in Southwark and sets out for the shrine of Thomas à Becket in Canterbury. Along the way they tell tales to one another, painting pictures of their varied lives. When The Canterbury Tales first appeared it was groundbreaking - showing characters speaking in the vernacular, giving readers for centuries to come an insight into medieval England. This annotated, illustrated edition collects the most enjoyable, witty and crude pieces into a unique collection, and is the perfect edition for those who have yet to meet The Canterbury Tales, as well as those who know and love it.

Jane Austen, one of the nation's most beloved authors, whose face adorns our currency, surely needs no introduction, but while many are familiar with her groundbreaking novels, few have come across her brilliantly funny unfinished novella, Catharine, or The Bower. Written when Austen was only around seventeen, Catharine, or The Bower is a short but important work, as it shows Austen's preoccupation changing from short burlesques to the satirical novels which her name is so inextricably linked with. This edition also contains The Beautiful Cassandra, a very short 'novel in twelve chapters' that maps out a parody of the melodramatic novels of Austen's day - in many ways the prototype for the legacy she left behind.

'That fiction is a lady, and a lady who has somehow got herself in to trouble, is a thought that must often have struck her admirers.'Penned in 1927 but first published posthumously in The Moment and Other Essays in 1947, 'The Art of Fiction' sets out perhaps more clearly than anywhere else Woolf's advice to writers of fiction, instructing authors to focus on language choices rather than dwelling on concerns around accuracy. On one level an amusing collection in Woolf's trademark style, skewering male writers of yore, taken together these essays form an invaluable writing guide from one of the finest craftspeople of the English language.

'So long as you and you and you, venerable and ancient representatives of Sappho, Shakespeare and Shelley, are aged precisely twenty-three and propose... to spend the next fifty years of your lives in writing poetry, I refuse to think that the art is dead.'Penned in response to a letter about her novel The Waves from a young poet, John Lehmann, A Letter to a Young Poet answers a request for Woolf to set down her views on modern poetry. Written with observational humour and empathy, the letter leaves the reader laughing in recognition of the errors depicted, with the words 'And for heaven's sake, publish nothing before you are thirty' ringing in their ears.

British South Asian poetry is flourishing throughout the UK, but it is still not being amply reflected in mainstream publishing. The Third Space project was conceived by award winning artist and poet, Suman Gujral, and has its eye on filling this gap and celebrating the best of the South Asian poetry scene.

Under a sky the colour of extinctionyou choose your own conclusion. The Earth might have already done so...and ten thousand years of civilisationwill shrink to an unrepeated moment. The Colour of Extinction is a collection for our times: taking all of nature into its focus, these carefully crafted lines leave the reader mulling over our interaction with - and overuse of - the natural world. Split into four strands, focusing on the climate crisis, birds, Australia and the melting polar caps, The Colour of Extinction forces us to confront the possible futures of the planet that we are destroying yet are so reliant on.

'Your pipe is drawing sweetly, the sofa cushions are soft underneath you, the fire is well alight, the air is warm and stagnant. In these blissful circumstances, what is it that you want to read about? Naturally, about a murder.'George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature - his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Decline of the English Murder, the tenth in the Orwell's Essays series, Orwell considers the sorts of murders are portrayed in the media, and why exactly people like to read about them. Expounding on his findings in the accompanying essay, titled in full The Ethics of the Detective Story from Raffles to Miss Blandish, Orwell broadens his focus to 'true crime' and realism in fictional murders - a genre that thrives to this day.

While the legacy of Mary Shelley as the creator of Frankenstein has shown no sign of waning, and her name is synonymous with the roots of the science-fiction genre, few have read her other novellas, and The Mortal Immortal - a short story concerned with ageing while being unable to die - is an unjustly neglected gem in her bibliography. While for generations critics considered the fact that she was married to Percy Bysshe Shelley to be the most interesting thing about her, and most modern readers only meet her best-known work, Mary Shelley's Gothic short stories and novellas are ripe for revisiting. One of the finest in her oeuvre, The Mortal Immortal is every inch as powerful and chilling as when it was written.

First published in 1928, Federico García Lorca's collection of Gypsy Ballads (Romancero gitano) marked his first major publication, and the beginning of his rise to fame. Depicting life in his native Andalucía, and the Romany peoples who lived there, it takes motifs of the countryside into its view, describing the night, the sky and the moon alongside more universal themes like life and death. Written in a stylised version of the countryside ballads that proliferated at the time, the Gypsy Ballads propelled Lorca to overnight fame, and he soon became counted amongst Spain's finest poets. Later in his career his name became synonymous with the theatre, but this new edition of the Gypsy Ballads returns the reader to where it all began. Presented here in a smart new translation, this edition is the perfect place to discover Lorca the Poet.

If you want to get back to the beginningyou must fast forward to the end. I press play, drop into the solarsystem à la Holst, somewherebeyond the asteroid belt,rocketing ever further out. The poems in There's No Pluto in this Suite take the reader to the edges of ordinary experiences, places and narratives and ask them to leap from that ordinariness into the unexpected. The collection is broken into three parts, and the reader is taken on a ride through verse concerned with the experiences of immigration, travel and transience; then on to a gathering around the hearth, telling stories about what drives humans to live: vocations, love and journeys of discovery; and finally into a mythic realm, encountering holy fools, witchy saints and places of overlap between silly and sacred. There's No Pluto in this Suite is a playful collection that blends formal and free verse, lyric and narrative, and in which the profound rubs shoulders with the messy and the patently mysterious.

In Stone Children Britain's love - and usage - of the Continent is laid bare. A couple eat their way through France and are overcome by greed; an ashes-scattering goes terribly wrong; a house is haunted by pain and abuse. Through each powerful tale we follow, mesmerised, moving through time and across continents, as the flaws and greed of humanity are exposed with extraordinary skill and wit.

'I am fond of paintings, furniture, tapestry, houses and flowers and even vegetables and fruit trees. I like a view but I like to sit with my back turned to it.'First published in 1933 at the height of Stein's popularity and literary prowess, The Autobiography of Alice B. Toklas is one of the most avant-garde pieces of non-fiction of the last century. Taking as its form that of 'autobiography', told through the eyes of her life partner Toklas, Stein's book provoked wild debate, and was pored over for its representations of the elite Paris art scene. Charting Toklas's early life in San Francisco, life in Paris with Stein and the war years spent in Spain, this is not only a wildly important piece of early LGBTQ+ literature, but, much like Woolf's Orlando, which perhaps inspired it, this is Modernism at its finest.

'We inherit the lineage we're all born into, with its history and its contradictions, with the very beautiful and the very ugly, neither of which we can have a hand in being able to change.'The family of Nisar Chowdhury moves from Dhaka to Chicago when he is just thirteen, and he grows up feeling estranged from both lands. Thirty years on, he returns to the city of his birth, only to find it changed beyond recognition. Rekindling old relationships and trying to get to grips with his father's decision to sell off their remaining properties in the city, Nisar must navigate the labyrinth of a society that has moved on without him. The Inheritors is a vivid portrait of a city giddy with the march of change.

These so-called Stupid Stories for Tough Times are a tonic for our times - a search for sense in the strange and baffling times we live in, shot through, as all good stories should be, with humour and observational wit, with purpose, fate and dogs. 'Brilliant deadpan dystopia' (on Down to Earth)' Mike Leigh

Following the death of his wife, Miles, an academic and hypochondriac suffering from acute anxiety, is told by his therapist to write a fictionalised version of his life in order to pinpoint the sources of his anxiety. Americanitis is an extraordinary work that mercilessly blends fact with fiction and leaves the reader scrabbling for truth.

When Lia lays an egg she doesn't know what to do. At her age, it's impossible to escape the baby question. She feels her heart's not in it - but the egg is impossible to ignore... Fledging is a riveting tale and resounding call for a woman's right to make her own choices, whether that means embracing motherhood or living child-free.

Francois the Waif, considered by many to be Sand's masterpiece, tells the tale of a young orphan who is placed in rural foster care. Presented in a fresh edit of the original English translation, and with helpful annotations, this edition presents the text for a new generation of readers.

Although her legacy as a politician is certainly more enduring than as a poet, her verse was highly acclaimed upon publication, and when The Golden Threshold, her first collection, came out in 1905, contemporary poets queued up to offer recommendations.

Painting beautiful portraits of American countryside, and tapping into deep debates around humans and their relationship with nature, this extraordinary short-story collection was years ahead of its time, and is ripe for rediscovery.

Simon Mundy's Selected Poems is a monumental collection that brings together work published in five collections, across five decades, including the critically acclaimed By Fax to Alice Springs and More for Helen of Troy, as well as the more recent Waiting for Music, which included many of his collaborations with composers.

The second in the Morris's Manifestos series, The Decorative Arts is a passionate argument against the homogenisation of production, and a cry for art to make itself seen in design - 'art will make our streets as beautiful as the woods, as elevating as the mountainsides.'

In this short essay, Hill sets out a clear, concise argument for public access to parks, and argues for the rights we now take for granted. Our Common Land is a forgotten part of our cultural history, and demonstrates exactly why the founders of the National Trust thought it was so important to preserve ancient buildings and estates for the public.