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The first book on Peruvian-American artist Andrea Morales, whose photographs honor her community and their activism in Memphis and the surrounding region. This vibrant catalog showcases a decade's work by Peruvian-American photographer Andrea Morales (b. 1984), whose camera captures community life and activism in the American South, particularly in her home city of Memphis, Tennessee. It accompanies her first major exhibition at the Memphis Brooks Museum of Art, represents the first scholarly publication on her work, and the first major museum exhibition dedicated to movement journalism. Memphis has long been a place bubbling with social movements. Roll Down Like Water--a nod to Dr. Martin Luther King, Jr.'s iconic last speech in the city--shows Morales's incredible ability to engage with her subjects. From intimate portraits and records of daily life to the documentation of social and environmental movements with local and national resonance, her photography builds a passionate and tender portrait of this unique part of the South. Morales centers her practice on building long-term relationships with the communities she photographs and views this relationship as one of collaboration rather than detached observation. Her approach is informed by movement journalism, which recognizes that journalism, like the camera, is not totally objective. By establishing a human connection between chronicler and people and rooting it in an ethical and rigorous framework, Morales's community-driven visual storytelling reaches beyond historical injustice to capture the liveliness and joy of the communities she photographs. For Memphis and Morales, King's words loom large. Echoing his description of collective liberation as "an inescapable network of mutuality, tied into a single garment of destiny," Morales's captivating images of the South chart new, sustainable paths in photojournalism, while reflecting upon identity, community, and the power of storytelling.

Explores the rich history of Japanese printmaking passed down through the Yoshida family. This book, accompanying the 2024 exhibition at Dulwich Picture Gallery, explores the Yoshida family's important contribution to Japanese woodblock printing, from patriarch Hiroshi down to the current generation, led by Yoshida Ayomi. The story of the Yoshida family has been woven into the history of Japanese printmaking across two centuries, with each generation infusing this traditional art form with their sensitivity and imagination. Trained as a painter and watercolorist, Yoshida Hiroshi (1876-1950) was a pioneer of the shin hanga artistic movement, which revived the traditional ukiyo-e prints ("pictures of the floating world"). His incredible corpus of woodblock prints contributed to the popularity of Japanese prints in the West. Fujio (1887-1987), Hiroshi's wife, a watercolorist, painter, and printmaker, was the first Japanese woman artist to gain international acclaim. Toshi (1911-1995) and Hodaka (1926-1995), Hiroshi and Fujio's sons, represent the second generation of this artistic dynasty; Toshi introduced post-war abstraction to the Japanese printmaking process, while Hodaka pushed these modernist instances further, achieving a unique personal style inspired by the sōsaku hanga movement of artistic self-expression. His wife Chizuko (1924-2017) co-founded the first group of female printmakers in Japan, the Women's Print Association. The youngest member of the Yoshida family is Ayomi (b. 1958), daughter of Hodaka and Chizuko, whose practice bridges the gap between ukyio-e and contemporary art thanks also to the exploration of organic materials. She has been exhibited at major international institutions and will contribute an original installation to the Dulwich show.

An informative guide to the most iconic works in The Frick Collection honoring the museum's reopening post-renovation. From paintings and sculpture to decorative arts, this publication encapsulates the range and depth of Henry Clay Frick's collection. Organized chronologically and by geographic school, The Frick Collection is designed to offer a sense of the connections between, and diversity among, contemporaneous artistic production across different fields, genres, and media in early modern Europe. When American industrialist Henry Clay Frick (1849-1919) built his New York home on the Upper East Side of Manhattan, he intended for it to one day become a public art museum for the "use and benefit of all persons whomsoever." After his death and that of his wife, Adelaide, in 1931, the house was transformed into a museum and was opened to the public in December 1935. The Frick's daughter Helen Clay Frick (1888-1984), along with a board of trustees, was instrumental in the continuance of her father's legacy and the care of his bequest. Over the years, the collection grew and the number of visitors increased, requiring renovation campaigns in the 1970s and 2020s to accommodate these changes, the latest giving access to the public for the first time to a suite of rooms on the second floor. Originally the Frick family's private quarters, these rooms are now galleries for works of art, providing space for more objects to be on view. The scope of the collection, which spans from about 1300 to 1900, was never intended to be encyclopedic and reflects the taste of the founder, who chose to acquire works for his home that were "pleasing to live with."

The National Pavilion of Saudi Arabia's contribution to the Biennale Architettura 2023's debate on the future of architecture through the concept of materiality. This book invites readers to dive deeper into the captivating dialogue between materiality and imagination, as envisioned by IRTH (pronounced like "earth") at the 18th International Architecture Exhibition--La Biennale di Venezia. Prepared for the Biennale Architettura 2023, for which the theme was "The Laboratory of the Future," IRTH immerses visitors into the profound interplay between material and immaterial. It chronicles the National Pavilion of Saudi Arabia's multi-faceted contribution to the discussion, in which the essence of earth as a material becomes a canvas for envisioning tomorrow's architectural legacies. In a curatorial journey told through essays from visionary architects, researchers, and experimental material alchemists, the book represents the multiple viewpoints and projects emerging from Saudi Arabia and its wider region. It delves into vernacular Saudi architecture, which, meticulously deconstructed and reimagined, forms the key point of reference for this journey. As we navigate the universal challenges of belonging and legacy, this exhibition transcends geographical boundaries, seeking common ground in the tapestry of diverse identities and perspectives. Through the lens of materiality, the National Pavilion of Saudi Arabia compels us to answer collectively the problems of tomorrow, one narrative at a time.

The reappraisal of an artist who never managed to escape the shadow of his famous father--until now. Pieter Brueghel the Younger (1564-1638) was a Belgian artist who, despite enjoying great success, was forever eclipsed by his renowned father, Pieter Bruegel the Elder (1525-69). During his career, Brueghel the Younger's prodigious output and business acumen popularized the distinctive depiction of Netherlandish peasant life historians recognize today, yet he was constantly deemed a second-rate, derivative painter. Peasants and Proverbs rewrites this narrative by focusing on recent research into Brueghel the Younger's Two Peasants Binding Firewood. These collected writings highlight the emerging understanding of this under-sung artist and savvy entrepreneur who operated his studio to produce and reproduce paintings, and the extent to which his enterprise was motivated by trends in the contemporary art market.

Sparks fly in this love-against-the-odds romanceEstranged from her mother, cheated on by her ex and grieving the loss of her brother, emotionally distraught Sophie Campbell decides she needs to focus on her career as a researcher for a TV and radio broadcaster. What she doesn't need is a man in her life. And as for marriage and children - definitely not.Honourably discharged from the British army following life-changing injuries sustained while serving in Afghanistan, Steven Jackson is rehabilitated and embracing life to the full. Working as the manager of a support centre for military veterans brings him a great sense of pride and achievement. But he wants more. He wants to meet the love of his life, and to one day be a husband and father. When Sophie and Steven meet through work, there's an undeniable chemistry between the two thirty-somethings. But will Steven's open, caring and patient ways be enough to break down Sophie's barriers and allow a relationship to develop between them?Set in the Scottish city of Glasgow, Baby Steps is a contemporary romance which tells a story of love against the odds.**************Baby Steps is a spin-off novel from Anne Stormont's Skye Series of novels. Sophie is the daughter of Rachel one of the main characters in that series and features as a character in the supporting cast, as does Steven. However, Baby Steps can be read as a standalone.

For more than forty years Linley Sambourne was a cartoonist for the British mangazine Punch. When he died in 1910, a host of obituaries paid tribute to his contribution to late Victorian and Edwardian political satire. His home is now a museum.

Published to accompany an exhibition held at the Hunterian Art Gallery, University of Glasgow, June 15-Dec. 1, 2007.