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Winner of the Eugene Paul Nassar Poetry Prize. SISYPHUSINA is a cross-genre collection of prose, poetry, visual art, and improvisatory music, centered on female aging. Faced with linguistic and literary traditions that lack rich vocabularies to describe female aging, Shira Dentz uses the hybrid form as an attempt to suture new language that reflects internal and physical processes that constitute a shifting identity. By deviating from formal classical construction, and using the recurring image of a rose, SISYPHUSINA circles around conventions of beauty, questioning traditional aesthetic values of continuity, coherence, and symmetry. Some of the book's images are drawn from separate multimedia collaborations between the author and composer Pauline Oliveros, artist Kathy High, and artist Kathline Carr. A musical composition improvised by Pauline Oliveros, based on one of her text scores, titled "Aging Music," is the book's coda, and readers can listen to it online by scanning a QR code inside the book. The interweaving of these collaborations with the author's voice and voices from other sources imbue this book with a porous texture, and reimagines the boundary of the book as a membrane.

Poetry. NOR DO THESE came out of a tandem exercise that quickly shed participants. It aims to address a series of obsessions, including the eroticism of accountancy, honed corporate strategy, dangerous unicorn hunts, the lives, phobias and phobia-related injuries of arguably obscure baseball players, and age and aging, among other things. It is Max Brett's first book.

"Our contemporary English is shifting too and so the poems I wrote then, in my house with two other humans and two animals and no one else in sight, dug down into the locality of English, slangs and slashes commingling with various lexicons and legibilities."- Kazim Ali

What use is poetry in a world shaped by suffering? Set in an Italian castle during a time of global crisis, this sonnet sequence takes up age-old questions about the ethics of art and the risks of comfort. With lush images and deep urgency, Deshpande makes an argument for beauty amidst chaos, violence and loss.

still life is a fractured carnival of language, each poem casting a pedophile in a new setting under the inspirited control of objects and expectations as the assaulted speaker of these poems is vicariously vivified and muted by animated memories of the pedophilic act. The poems are linguistically tight, prose-y, and punctuated so that the pedophile feels immediately present and inseparable from the speaker. This is the reality of trauma - time collapses. The past becomes the present so that "the windows // the plaster // the paint // the hard wood floors // the doorways // the beams beneath / above /behind everything" constrict the speaker in a room, long ago, where her body was "bright and bulbing //undercooked // tight as egg" and vulnerable to predatory behavior. While these poems draw attention to the residual effects of childhood trauma that haunt a victim throughout her adult life, they also highlight the pedophile's human bondage, revealing his own psychological entrapment. In this book, psyches are live wired, but every limb remains in its original, violated, place.

We Know This Will All Disappear is a collection of short stories and flash pieces that explore the chaotic and exhilarating inner lives of women and grief. The sense of loss they navigate does not always stem from the death of a loved one, but rather the loss of something dear, something familiar. What do we put in that empty place when something is gone?These stories create a beautiful and devastating atmosphere for the reader to follow characters as they play an emotional hide-and-seek. Looking for answers as well as questions in dark surprising places. Replacing a lost thing, you can make your world more chaotic and claustrophobic-adopt a mannequin with your friends, sing the entire karaoke catalog, sell your story to a momager-or you can shed things around you to make more room for the grief. You can rent a secret room, you can grow your baby outside the womb, you can sleep in your childhood bedroom under your Bruins posters. These are the ways these characters survive.These sixteen stories are not about defeated people, but people that are in a pause, a crossroads, that only they see before them. These characters are intimate with themselves; intimacies are raw but not always truthful. These are stories of adaption.

A Different Shade for Each Person Reading the Story is a disability-forward essay that melds memoir, neurology, chromopoetics, and literary criticism into an ecstatic embodiment of an illiterate girlhood. Shaped as an index, rather than a primary text, Hume posits the cruel optimism of reading, which promises to shape brains and lives, against the dyslexic's subterfuge intelligence. In vignettes, meditations, lapses, guesses, and fragments, all refracted through the color red, this work questions what reading means and how we come to claim it.

Honoring the 60th Anniversary of Marilyn Monroe's death, Marilyn: Essays & Poems, Collector's Edition includes the award-winning collection of poems, An Insomniac's Slumber Party with Marilyn Monroe, plus a heart-breaking eulogy for Marilyn Monroe, along with essays and narrative that celebrate the poetry and spirit of the world's most famous icon.Described as a "tour de force" the [PANK] Poetry Prize-winning An Insomniac's Slumber Party with Marilyn Monroe is a middle-of-the-night poetic conversation between two women who "live on the glittering edge," a sequined mediation on what keeps us up at night and what fills our dreams.

24 Hour Air is a cycle of twenty-four prose poems that takes place on the scale of a mythic day. Documenting each hour in this day, the cycle depicts different zones of the writer's life. A painting studio, the sands of Fire Island, a childhood bedroom, a game of Tetris; the death of a father, the loss of lovers, life synchronized with and without friends. Rosenthalis' systematic approach, where each poem takes its title and imagery from another poem in the cycle, releases a psychosomatic painterliness that apprehends what one poem calls, in a tongue-in-cheek gesture towards Shakespearean philosophizing, "quintessence." The attention to detail in these internal still lifes becomes ultimately life-affirming: "As long as a length happens, like a sheer black stocking, anyone can try on in-ness, I think." This is a world of spit, semen, and tears. These poems veer at times absurd and enigmatic, mysterious and quizzical, through an awe-inspiring faith in the power of the imagination. Departing from the famed contemporary American painter Jennifer Bartlett's series of twenty-four paintings, on permanent display at the Metropolitan Museum of Art, 24 Hour Air moves beyond conventional ekphrasis to become its own sensual and idiosyncratic autobiographical work of art.

And then the story begins to change.These four finely wrought, evocative stories are packed with action, power, and heart. Justin Bigos is a fabulous writer, and Double Clothesline is a knockout collection of his work.- Peter Kispert, author of I Know You Know Who I Am

Literary Nonfiction. Women's Studies. Taking its inspiration from the artist Uta Barth's photographs of the sun as it enters her home and the poet Francis Ponge's notebooks kept during the German occupation of France, this collection of lyric essays contemplates light as seen through the domestic space and its occupants, predominantly the author's young children. Meditations on how through light the external world enters into and transforms the private spaces of self and home inextricably link to the author's writing on life, or the giving of life. These vocabularies weave and tangle while the essays' forms depict the staccato rhythms of thought and the estrangement of time one experiences when living with children. The essays can be read as standalone pieces, yet build on one another so that patterns emerge, like the obviation of how language serves to illuminate and veil meaning, the repetition of and ekphrastic approach to religious imagery, and the ineffable experience of depression. These essays continually return to the speaker's admission that the life one gives another is ultimately unsustainable and that despite this catastrophe of living there is the resilience and bewilderment of being together.

I WAS ONE OF MY MEMORIES is a collection of lyrical nonfiction that includes essays, poetry, prose, lists, postcards, and memoir.I wasn't always like this, Laurie Blauner writes in her first creative nonfiction book. In this book houses fly, the Wizard of Oz reveals himself, a recipe for fur is shared along with how humans recreate themselves as animal hybrids, Nabokov's Lolita infatuation is observed, and the author describes having been seen outdoors in her underpants. The twenty essays cover a variety of topics, obsession, telling lies, outer and inner spaces, myths and facts, evolution, aging, the death of a beloved cat named Cyrus, and the definition of what it is to be human. In the book secrets surface concerning how to talk to yourself, good and bad familial relationships, pretending to be another religion, and a mother lying about her age.I love this book's fragmented and looping storytelling, its sense of humor, and its amazing, strange, and smart sentences.--Caryl Pagel, author of Out of Nowhere into Nothing...so strange and true, structurally organic, surprising and moving.--Polly Buckingham, author of Expense of a ViewNonfiction. Essays. Memoir. Hybrid.

An Apparent Horizon and Other Stories takes you to the turn of the 20th Century during the construction of the Panama Canal, the avant-garde theatre scene of New York in the early 1970s, and a present day textured by the psychic and physical violence inflicted on black life. The novella that gives the collection its name follows Mar Gillette, a white environmental activist, in the weeks that follow her failed hunger strike in the California desert. It is in the relative calm of Mar's childhood home in the hills of Los Angeles that we begin to see the contours of the incomplete mourning of her father that precipitated her fleeing to the desert. After discovering a folder with a collection of her father's handwritten notes, Mar is forced to delicately navigate a world now conditioned by the burgeoning but nonetheless unconfirmed awareness that she had a half-brother who perished in the police violence surrounding the 1992 civil unrest in Los Angeles. It is through a developing romantic relationship with Teddy, the son of her father's gardener, that we see her attempt to suture the distances in her life-between herself and her mother, herself and the city, and, ultimately, herself and her father. But like the work of the entire collection, it is ultimately a meditation on that which is irreconcilable and escapes recording.

Originally published as Esta Noche, El Gran Terremoto in 2018 by Ediciones Antílope, Tonight: The Great Earthquake explores the unresolvable relationship between catastrophe, uncertainty, and control. Set in a society that organizes its conduct and traditions around the inevitable-but unspecified-arrival of The Great Earthquake, the book centers on Diego Pyrite, a young man just hired as a motel receptionist. Diego's first on-the-job instructions make one thing very clear: no matter what, one room in the motel must always be left unoccupied and ready to receive a distinguished guest. This guest might arrive in the next few minutes, or it might take him many years. One thing is certain: he'll come without warning.Tonight: The Great Earthquake is a deft, outlandishly funny, often unsettling exploration not only of how human societies handle uncertainty, but also of our interactions with order, institutions, and authoritarianism. Formally and conceptually inventive-a true hybrid novel-as-assemblage, complete with an amalgam of disparate media-the novel is less arc than spiral, exposing and refracting an unconscious landscape.

Elegy for an Appetite is the story of a young cook's tumultuous relationship with their body and eating. This short, poetic memoir, which mostly takes place in a series of professional kitchens, follows the author's journey from voracious childhood to starving teen years and then to challenging early adulthood. The book explores the author's search for identity, validity, and healing through a series of both dark and ridiculous kitchen tales. Through these experiences, the author is forced to question the intentions of existing systems and cultures in the restaurant world and beyond. Elegy for an Appetite turns an unblinking eye toward survival in a world where certain forms of physical embodiment can imply hardship, but it also forces us to consider what can happen when we abandon the ideologies we've held as true for far too long.

Kyle Carrero Lopez's MUSCLE MEMORY covers money & work, Blackness & anti-blackness, the art world, queerness, & violence-governmental to interpersonal-as it swerves through its colorful landscape. Lopez interrogates the various complications of earthly living in a sharp, fresh voice, returning again & again to the musical core of his poetics. Afro-Cuban drumming & disco & Solange commune as these poems ping-pong between reverent softness and unsparing critique. Equal parts jovial and furious, this is a debut with teeth.

In a country grappling with its bloody history and uncertain future, How to Exterminate the Black Woman illuminates the struggle of the Black woman trying to thrive in a society seeking to consume and erase her. Set after the murder of Sandra Bland, or Trayvon Martin, or Emmett Till, this choreopoem takes place in the collective memory of American Black women, represented by Angela fractured into six emotions: fear, loss, silence, expectation, fury, and new. Through chanted sestinas, yoga-inspired dances, and a chorus of the subconscious, How to Exterminate the Black Woman confronts readers and audiences with the terrors and triumphs that mark Black women in the United States, from burying their murdered children and surviving rape to going natural and falling in love. More than just #BlackGirlMagic, this choreopoem casts a literary spell, demanding empathy, action, and humanity from the stage.