Bøker av Ying Zhu

The inside story of the U.S.-Chinese superpower conflict playing out behind the scenes of todays movie industry, from the leading media scholarIn the last decade, China has become the worlds largest movie market. Formerly objects of exotic fascination in the golden age of Hollywood, today the Chinese are a make-or-break audience for Hollywoods biggest blockbusters. And movies are now an essential part of Chinas global soft power strategy: a Chinese real estate tycoon (who until recently was the major shareholder of the AMC theater chain) is building the worlds largest film production facility. Behind the curtains, as this brilliant new book reveals, movies have become one of the biggest areas of competition between the worlds two remaining superpowers.Will Hollywood be eclipsed by a Chinese Huallywood? No author is better positioned to untangle this question than Ying Zhu, a leading expert on Chinese film and media. Hollywood in China unravels the fascinating, century-long relationship between Hollywood and China for the first time. Blending cultural history, business, and international relations, Hollywood in China offers an inside look at the intense business and political maneuvering that is shaping the movies and the U.S.-China relationships itselfrevealing a headlines-grabbing conflict that is playing out not only on the high seas, but on the silver screen.

This book takes a holistic approach to explore how business is being conducted in China and India, and to analyze the factors that influence business decisions in present times.

Managing Chinese Outward Foreign Direct Investment focuses on the management of Chinese outward foreign direct investment, particularly foreign subsidiaries established through merger and acquisition, at the organisational level.

The political economy and culture of Chinese cinema during the era of China's prolonged economic reform has not until now been examined in detail. Ying Zhu's new and comprehensive study examines the institutional as well as the stylistic transitions of Chinese cinema from pedagogy to art to commerce, focusing on the key film reform measures as well as the metamorphosis of Chinese Fifth Generation films from art film narration-as in Chen Kaige's 1984 Yellow Earth-to post-New-Wave classical film narration-as in the same director's 1993 Farewell, My Concubine. Zhu's work reconciles the stylistic, cultural, and economic dimensions of the nation's cinematic output, also providing the first systematic institutional analysis of an industry in a state of constant flux.

Examining the impact of economic reform on everyday life in China, this book explores how changes in the employment relationship have affected the enterprise performance, the quality of working life and the livelihood strategies for individual households and families in China.