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A National Book Award-winning satire about the unchecked power of American capitalism, written more than three decades before the 2008 financial crisis.At the center of J R is J R Vansant, a very average sixth grader from Long Island with torn sneakers, a runny nose, and a juvenile fascination with junk-mail get-rich-quick offers. Responding to one, he sees a small return; soon, he is running a paper empire out of a phone booth in the school hallway. Everyone from the school staff to the municipal government to the squabbling heirs of a player-piano company to the titans of Wall Street and the politicians in Washington will be caught up in the endlessly ballooning bubble of the J R Family of Companies.First published in 1975 and winner of the National Book Award in 1976, J R is an appallingly funny and all-too-prophetic depiction of America's romance with finance. It is also a book about suburban development and urban decay, divorce proceedings and disputed wills, the crumbling facade of Western civilization and the impossible demands of love and art, with characters ranging from the earnest young composer Edward Bast to the berserk publicist Davidoff. Told almost entirely through dialogue, William Gaddis's novel is both a literary tour de force and an unsurpassed reckoning with the way we live now.
"Now recognized as one of the giants of postwar American fiction, William Gaddis shunned the spotlight during his life, which makes this collection of his letters a revelation. Beginning in 1930, when Gaddis was at boarding school, and ending in September 1998, a few months before his death, these letters function as a kind of autobiography, and are all the more valuable because Gaddis was not an autobiographical writer. Here we see him forging his first novel, The Recognitions, while living in Mexico, fighting in a revolution in Costa Rica, and working in Spain, France, and North Africa. Over the next twenty years he struggles to find time to write the National Book Award-winning J R amid the complications of work and family; deals with divorce and disillusionment before reviving his career with Carpenter's Gothic; then teaches himself enough about the law to indite A Frolic of His Own, which earned him another National Book Award. Returning to a topic he first wrote about in the 1940s, he finishes his last novel, Agapåe Agape, as he lies dying"--
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