Bøker av Ronald Firbank

The novel "Caprice" was written by English author Ronald Firbank, who is renowned for his unique and unusual writing style. A satirical work by Firbank, "Caprice" was published in 1917 and humorously and absurdly examines the lives of the upper class. The lifestyles of strange characters in a made-up European location are the focus of this satirical comedy book. The wit, colourful language, and dialogue-based style of Firbank's writing all work together to highlight the ridiculousness of society rules and customs. In "Caprice," he uses a sequence of short stories and scenes to create a striking image of a society in which social mores are both distorted and violated. All things considered, "Caprice" is a scathing and humorous examination of the customs and peculiarities of the upper class, delivered with Firbank's distinct literary flare. "Caprice" is a thought-provoking and enjoyable book for those who enjoy satire and unique storytelling.

"Sorrow in Sunlight" by way of Ronald Firbank is a fanciful and satirical novel that unfolds in a global of eccentric characters, set against the backdrop of an idyllic Mediterranean hotel. Firbank, acknowledged for his one-of-a-kind and avant-garde writing fashion, crafts a story this is both comedic and notion-frightening. The story revolves round a group of colorful and whimsical those who find themselves entangled in a series of absurd and funny conditions. Firbank's prose is marked by means of its wit and irony as he skewers societal norms and conventions with a playful and irreverent contact. The characters in "Sorrow in Sunlight" are brought to lifestyles with Firbank's feature aptitude for talk and description. The novel explores topics of love, desire, and the quirks of human behavior, offering a unique and satirical angle at the social mores of the time. Firbank's narrative style is regularly defined as modernist, and "Sorrow in Sunlight" showcases his potential to test with language and shape. The novel is a delightful combination of farce and social observation, inviting readers into an international wherein the absurdity of existence is well known and puzzled in identical measure.

Experience the magic and whimsy of this charming fairy tale, illustrated by renowned artist Albert Buhrer. Follow the adventures of Odette, a young girl who discovers a fantastic world of fairies, goblins, and other mystical creatures. Full of humor, wit, and pathos, this book is a must-read for fans of fairy tales and fantasy literature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Valmouth, a southern English coastal resort, has a generous supply of well-furnished and well-connected relics of society. Hare-Hatch House, inhabited by good friends Eulalia Hurstpierpoint and Elizabeth Thoroughfare, is one of the great centres of local social attention. Coming on a visit, Lady Parvula de Panzoust encounters members of several castes there, ranging from the Tooke family who are in service, through the omnipresent exotic masseuse-cum-herbalist Mrs Yajñavalkya, to those of her own status who buzz around the house gossiping and defaming, hinting and declaiming, each other's secret business and hidden predilections always the tasty subject. Indeed, Parvula herself is on something of a private mission of an amatory nature!As the season progresses, the question of who will marry Mrs Thoroughfare's son Dick, just returned from the sea, becomes an absorbing question. Will young Thetis Tooke, single-minded and passionate, recapture his attention permanently? Or will Mrs Yajñavalkya's protégé Niri-Esther steal his favour? The already agitated currents begin to stir forcefully...Valmouth, Ronald Firbank's celebrated fourth novel, was first published in 1919. Its waves of exclamatory dialogue, eccentric description and outrageous characters confirmed his unique position as high-camp chronicler of his age in all its hilarious, sharp-tongued erraticism.

"A person who dislikes Ronald Firbank," quipped W. H. Auden, "may, for all I know, possess some admirable quality, but I do not wish ever to see him again." Edmund Wilson pronounced him "one of the finest writers of his period." Part high camp comedy of manners and part fairy tale, Five Novels by Ronald Firbank (1886-1926) is introduced by Osbert Sitwell. Firbank lived a life of exquisite, if lonely, leisure. He composed all his novels on postcards in his countless hotel rooms, always lavish with flowers. His moves were impulsive--"Tomorrow I go to Haiti. They say the President is a Perfect Dear!" ran one telegram to a surprised friend. At a dinner party given in his honor, the pathologically shy author refused to consume anything more than a single pea. His no less eccentric creations, Parvula de Panzoust and her guest Eulalia Thoroughfare of Valmouth, dine on "salmis of cocks'-combs saignant with Béchamel sauce." In The Artificial Princess, a queen with a passion for motoring roars about her realm for hours with her crown on. The Flower Beneath the Foot, Prancing Nigger, and Concerning the Eccentricities of Cardinal Pirelli are also included in this volume. "If only," concludes Sitwell, "we might have the joy of reading a new book from his pen, a book that would be so deliciously unlike any others in the world save his own." It is hoped that this collection will bring more readers that extraordinary experience.

Odette d'Antrevernes, a sheltered and enthusiastic young girl, lives with her widowed mother, her Creole nurse and their aged butler in an old grey chateau by the Loire. She receives regular visits from the old Curé of Bois-Fleuri, who tells her thrilling stories of Bernadette and her vision of the Holy Virgin in the mountains. One day Odette decides that she too must seek the Holy Virgin. With the house deadly quiet in the middle of the night, she steals secretly out into the garden, but events do not run as she expects. By morning, what has happened there will have changed her life forever...

Miss O'Brookomore became evasive. "I want you to repress yourself a little for a few days. Be more discreet." "Because ----" "Professor and Mrs. Cowsend have the rooms next ours..." "Buz! Let them!" "Also, the Arbanels are here on their honeymoon....You never saw such ghosts on their rambles." "Who is Mr. Arbanel?" "He's very blasé." Miss Collins clasped her hands. "I'd give almost anything to be blasé." Young Mabel Collins, naïvely wily-wise before her very tender years, daughter of a dreaded and dull Yorkshire estate, needs experience - needs to get out into the world. At her first soirée, she is introduced to the renowned eccentric biographer Geraldine O'Brookomore, who is just about to start out for Greece on the trail of her latest quarry, the romantic early traveller Catherine "Kitty" Kettler. It is decided that Mabel will be the perfect companion for her trip. Ronald Firbank's wildly accentuated style, brimful of strange exclamations and bursts of hilariously intense conversation, takes us with them as they move around the famous Greek landscape, meeting along the way many English and European expatriates with equally striking preoccupations and attitudes: "I heard the flowers scream as I picked them!" Mrs. Erso-Ennis was saying as she scattered a shower of blossoms upon the floor. Their whole escapade cannot help but be eventful: Across a vivid, a perfectly pirate sea, Salamis showed shimmering in the sun. Miss Arne held out arms towards it. "It's like a happy ending!" she breathed. There will be no such happy ending for their friend, the actress Miss Arne. Salamis' sea will be a witness to....what? An accident? A murder? Mabel, though, has something else on her mind: the dashing Count Pastorelli, disapproved of heartily by Geraldine, has been pursuing her... This, Firbank's second novel, with its hints of the Sapphic and the scandalous, was first published in 1916. The Glasgow Herald's reviewer said "Mr. Ronald Firbank's fiction bears a strong resemblance to the work of the Futurists in painting." He certainly was, in the oddness of his depiction and in his stripping-down of narrative and conversation to their bizarre bare bones, a master of the avant-garde well before his time. This edition includes an extra chapter, written much later in 1925.

They were in the dogs' cemetery. Lady Castleyard tapped a little crooked cross. "One fears," she said, "that Georgia must have poisoned them all for the sake of their epitaphs." Welcome to one of the most distinctive styles in English literature. Ronald Firbank was an acute observer; his famous way of taking down extraordinary snatches of conversation, or pithy single sayings, on slips of paper, and then including them in his novels when an opportunity arose, anticipated modern experimental cut-up techniques by half a century. His was also a rare wit: Lady Barrow lolled languidly in her mouse-eaten library, a volume of mediaeval Tortures (with plates) propped up against her knee. In fancy, her husband was well pinned down and imploring for mercy at Figure 3. How eagerly, now, he proffered her the moon! How he decked her out with the stars! How he overdressed her! Coldly she considered his case. "Release you? Certainly not! Why should I?" she murmured comfortably, transferring him to the acuter pangs of 9. In this amazing first novel, published in 1915, well-connected Mrs Shamefoot is searching for some sort of immortality, and has decided that she requires a dedicatory stained-glass window to be designed and built into a cathedral of which she approves. Engendering consternation all around at her daring, one-eyed pursuit of her aim, and casting wide her net, she finally settles on the church in Ashringford, and events conspire with her: in a storm, some scissors are left on the scaffolding around it, the lightning catches them, and a great part of the wall comes crashing down. She does not miss the opportunity. With a huge cast of astonishingly overdrawn characters, utterings and situations, Firbank comedically depicts a social world made largely of women and their talk: ladies both voluble and shy; daughters both wild and domesticated; spinsters and widows with obsessions, or the cutting tongues made to spike them; servants whose opinions are as strong as their mistresses'. These all swirl around Mrs Shamefoot, approving, disapproving, commenting on each other and her in a turmoil of zesty snippets. The results are like nothing else. Ronald Firbank was born in London in 1886, the son of a wealthy MP and landowner. He attended Trinity Hall in Cambridge but left without completing his degree. His first book, containing two stories, was published in 1905, after which he published eight full-length novels, and more stories and plays. Ill with lung disease for most of his life, he died in Rome in 1926, at the age of 40.