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"Creating Connections features over 70 paintings, sculptures, drawings, and watercolors from the Rosenthal Collection of work by self-taught artists. This richly illustrated publication explores the mysterious connections we have with works of art and examines the journey into the meaning of art for its creators. It looks at the historic approaches to the creations of self-taught artists and the problems inherent in their interpretation. It also considers where we should go to achieve a more equitable and inclusive art history. The Rosenthal Collection comprises a significant and notably varied grouping. Not only does it cover a broad mix of US names including Earl Cunningham, Henry Darger, Thornton Dial, Bill Traylor, Sister Gertrude Morgan, Ralph Fasanella, Martâin Ramâirez, and Janet Sobel, it also includes nonUS artists Carlo Zinelli, Hiroyuki Doi, Adolf Wèolfli, Donald Pass, and Nek Chand, among others. Jean Dubuffet, the French painter who famously promoted the study of self-taught artists, is also featured. An illustrated interview by Julie Aronson with Richard Rosenthal provides special insight into the collector who has brought together this exceptionally diverse array of work. Essays by Olivia Sagan and Charles Russell look at the need for a more nuanced approach to these artists and their work, at the history of its appreciation (including terminology such as "Outsider Art"), and examine the work in the context of autobiography, trauma, connection, and remembering". --
On May 10, 2003, the Cincinnati Art Museum will celebrate the opening of the Cincinnati Wing: eighteen thousand square feet of handsomely renovated gallery space devoted to the museum's renowned collections of painting, sculpture, furniture, ceramics, and metalwork by Cincinnati artists.
Diminutive marvels of artistry and fine craftsmanship, portrait miniatures reveal a wealth of information within their small frames. This book presents approximately 180 portrait miniatures, selected from the holdings of the Cincinnati Art Museum. It includes both American and European miniatures and stresses the continuity of stylistic tradition.
In the Gilded Age, when most sculptors aspired to produce monuments, Bessie Potter Vonnoh (1872-1955) made significant contributions to small bronze sculpture and garden statuary designed for the embellishment of the home. Her work commanded admiration for her fluid and suggestive modeling, graceful lines, and sculptural form.
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