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Like Neruda and Paz, Perse and Milosz, Christopher Merrill is both a writer and a cultural envoy, crisscrossing the globe as chronicler and courier. Boat records a series of passages over a decade, employing varied formal strategies: meditations and fantasias, prose poems and versets, lyric sequences and narratives, translations and ghazals. Composed in war zones and embassies, refugee camps and monasteries, Boat is a logbook tracking questions of memory, the body and body politic, faith, mortality, and the ways of knowledge moves through generations. Reflecting ten years of life on the wing and forty years of writing, including extensive translation from other languages, Boat bears witness to what Merrill has heard and seen in places most Americans will never visit.
A iterary testament to friendship and the ways in which a vibrant collaboration can inspire poets to plumb the depths of their experiences.The concluding volumes of a ten-year-long conversation in prose poetry between the award-winning poets Marvin Bell and Christopher Merrill. They write from different generations and places around the world on a range of themes from memory to politics, aging and mortality, the vagaries of desire and the imagination.Bell and Merrill wanted to create a wide-ranging dialogue to explore the meaning not only of their separate experiences but of the very ways in which a collaboration fosters a deeper engagement with each other—and the world. In his penultimate message to Merrill, written just hours before he suffered a heart attack from which he never recovered, Bell said that what he loved about their collaboration was that each new prose poem defined his immediate future—which was what After the Fact provided both of them for ten glorious years.
Prismatic and polysemous, On the Road to Lviv invites us on an odyssey across Ukraine in the hour of war. "This chronicle/ Took shape the day the war began, which was/ My 65th birthday," writes legendary traveler, war correspondent, memoirist and poet Christopher Merrill. At once deeply personal yet rooted in history so recent you can almost see the smoke billowing from the ruins of Mariupol, the poem is equal parts chronicle, a document of war crimes, and a sober self-reflection in which the poem's speaker examines his own engagement with Ukraine as a "democratic-minded" Westerner "determined to develop/ Civil societies around the world." Not since Byron's Mazeppa has there been an English-language poem comparably engaged with Ukrainian history, appearing here en face with Nina Murray's masterly translation into Ukrainian.
"If I had learned anything during the war, it was that our walk in the sun is brief, and so I resolved to wander from monastery to monastery, a sojourner in the world of last things." So poet and journalist Christopher Merrill tells us near the beginning of this gripping account of the transforming pilgrimages he made to Mount Athos, in Greece, in the aftermath of the Balkan wars of the 1990s. "It was time for me to come to terms with the way my life had turned out: the love I had squandered, the misgivings I had about my vocation and my faith, the dread I felt at every turn." In despair and out of a longing to end his spiritual desolation, Merrill became one of a handful of visitors permitted entry to Mount Athos-a mysterious land that for more than a thousand years has been the secret heart of the Eastern Orthodox Church. There, amid the beautiful terrain, the ancient rhythms, and the spiritual rigor of this holy place, he found a haven in dramatic contrast to the rest of the world. As Merrill's story unfolds, we, too, hike the rough trails of Athos, exploring a place and a way of life scarcely altered since medieval times. We share encounters with monks, wolves, and spiritual seekers; visit Athos's twenty monasteries, where exquisite art treasures are sequestered; make our way to lonely hermitages that clutch the cliffs above the sea. And like Merrill, we come to consider existence in a new and different light. Part journal of personal discovery, part meditation upon the history and traditions of the contemplative life, "Things of the Hidden God takes us where the temporal and the eternal intersect, where community and solitude coexist, and where centuries-oldpractices provide insight for how to live today.
Necessities is a meditation on the deepest promptings of the spirit that could be discovered through language.
At once a travelogue, a book of war reportage and a biography of the imagination under siege, this personal narrative takes the reader along on the author's journeys to all the provinces and republics of the former Yugoslavia.
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