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Gerald Vizenor presents in this anthology some of the best contemporary Native American Indian authors writing today. These original narratives demonstrate a new and distinctive aesthetic in the literature of Native American Indians.
For the characters we meet in Toni Jensen's stories, the past is very much the present. Theirs are American Indian lives off the reservation, lives lived beyond the usual boundaries set for American Indian characters: migratory, often overlooked, yet carrying tradition with them into a future of difference and possibility.
Telling the story of Shirley Mounter, a Tuscarora woman and the chief storyteller among the acerbic, eloquent, and often hilarious speakers, this title presents a tapestry of the intricate twists and turns of coincidence, memories, and stories that bind Native families together.
Rebuilding her life in a different town, the taciturn Elsie finds modest comfort among the white people who employ and befriend her. This book weaves the story of a ravaged woman into the traditional tales of her people to create a vivid sense of communities bound by storytelling and understanding and sundered by ignorance and silence.
An ingenious kabuki novel that begins in the ruins of the Atomic Bomb Dome, a new Rashomon Gate. In Hiroshima Bugi: Atomu 57 acclaimed Anishinaabe writer Gerald Vizenor has created a dynamic meditation on nuclear devastation and our inability to grasp fully its presence or its legacy.
In this innovative novel, a librarian of Cherokee ancestry rekindles and reinvents her Native identity by discovering the rhythm and spark of traditionally told stories in the most unusual places in the modern world.
A surrealistic revisiting of the Cherokee Removal, Riding the Trail of Tears takes us to north Georgia in the near future, into a virtual-reality tourist compound where customers ride the Trail of Tears, and into the world of Tallulah Wilson, a Cherokee woman who works there.
Rife with arresting and poignant images, fleeting and daring in presentation, weighty and provocative in their messages, these stories demonstrate the power of one of the most compelling writers in Native North America today.
The best stories create traditions, and this novel by celebrated Native American writer Gerald Vizenor is a marvelous conjunction of trickster stories and literary ingenuity. Chair of Tears is funny, fierce, ironic, and deadly serious, a sendup of sacred poses, cultural pretensions, and familiar places from reservations to universities.
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