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The poems in this collection were written between 2007 and 2020. When asked to describe the poems here, Ishmael Reed wrote: ' The poems are based on events that occurred around the house to cataclysmic space events.'

A new collection of poems from the AmericanpoetTennesseeReed.From "California Burning 2017-2018"Will smoke days become the West's new snow days?When an early morning dagger of red lightcuts through my curtainsI think of what I want to save in case I have to evacuate

Similarly four complete poetry books and a selection of new poems and sequences—samples the ongoing project of C. S. Giscombe’s long, long song of location and range.  In all the work collected here, location is a practice; range is the fact of the serial, the figuring of continuous arrival. The writing speaks to rivers, the souls of city life, animals, the counted and uncounted, the many instances that might indicate “a shape to all that sound,” monstrosity and argument (the latter defined, with a hat-tip to Frankenstein, as “a thing that becomes terrifying to its maker”), and the colors of human migration, these things among others.  In the “Cry Me a River” poem, Giscombe writes, "for the sake of argument, say that the shape of a region or of some distinct areas of a city could stand in for memory and that it—the shape is a specific value because it’s apparent and public, and that way achieves an almost nameless contour."

An Evening of Romantic Lovemaking is the tale of a would-be standup comedian/terrorist as he hilariously and heart-wrenchingly performs his last act in front of an audience who may or may not be there. Curtis White calls it "both the funniest and one of the saddest novels I've ever read" and "a work of comic genius. While comparisons to Gilbert Sorrentino, Mark Leyner, and Flann O'Brien will be made, Slotky's voice is entirely his own and one you'll not soon forget."

The Deer is a rhythmic, surrealist psychological thriller about a physicist who hits-what appears-to be a deer. As he returns from the scene of the accident to his childhood home, long-forgotten memories flood his consciousness, and he must come to terms with the fact that his past, and reality as he knows it, are not what they appear. Part experimental film, part jazz record, but always lyrical, luminous, and austere, The Deer is a poignant meditation on familial love, loss, and the mystery at the heart of existence.

"You'll Like it Here is a haunting bricolage, divided into three parts, that excavates the forgotten history of Redondo Beach in the early 1900's through old news clippings, advertisements, recipes and other ephemera that speak to the ills of male stoicism, industrialization and capitalism, and environmental displacement. Ashton used digital archives from the Redondo Reflex and other city adjacent newspapers as the basis for his surrealist account, masterfully tracing this larger shift away from coastal maritime repose in the wake of the Spanish Flu, the Great Depression, and World War II through momentary fragments that feel as real and palpable as they do transient, mythological, and strangely reminiscent of our current times."--Provided by publisher.

Radical and racy, Robert Coover‿s Coover Stories is a new collection of incisive, inventive works from the postmodern master.When Robert Coover‿s first collection Pricksongs & Descants came out in 1969, his shortstory “The Babysitter,â€? took the literary world by storm. Described as “metafiction at its best,â€?his work is taught in classrooms more than half a century later, no less relevant‿andirreverent‿than at its debut. Provocative, experimental, and biting, Coover‿s darkly satiricwriting has pushed the avant-garde to its limits and sired a generation of postmodernists. Coover Stories is the fourth short story collection from Robert Coover. Drawing on decades of experience, the William FaulknerFoundation Award‿winning writer continues to shock and engage his readers with his wit, style,and keen critical eye for the paradoxes of modernity.

"True Story: A Trilogy gathers together three documentary plays by acclaimed playwright and poet Dan O'Brien concerning trauma, both political and personal. The Body of an American speaks to a moment in history when a single, stark photograph--of a US Army Ranger dragged from the wreckage of a Blackhawk helicopter through the streets of Mogadishu--altered the course of global events. In a story that ranges from Rwanda to Afghanistan to the Canadian Arctic, O'Brien dramatizes the ethical and psychological haunting of journalist Paul Watson. In The House in Scarsdale: A Memoir for the Stage the playwright applies journalistic principles to an investigation of his childhood unhappiness, as he searches for the reason why his parents and siblings cut him off years ago. The more he learns about his family, the more mysterious the circumstances surrounding their estrangement become, until his sense of self is shaken by rumors regarding his true parentage. The trilogy concludes with New Life, a tragicomedy that finds Paul Watson in Syria and the playwright in treatment for cancer, while together they endeavor to sell a TV series about journalists in war zones. New Life explores the paradox of war as entertainment, and dares to dream of healing after catastrophe. These three gritty yet poetic plays stand as a testament to the value of witnessing, honoring, and perhaps transcending the struggles of living."--

On Christmas Eve 1999, all the Jews in the world die in a strange, millennial plague, with the exception of the firstborn males, who are soon adopted by a cabal of powerful people in the American government. By the following Passover, however, only one is still alive: Benjamin Israelien; a kindly, innocent, ignorant man-child. As he finds himself transformed into an international superstar, Jewishness becomes all the rage: matzo-ball soup is in every bowl, sidelocks are hip; and the only truly Jewish Jew left is increasingly stigmatized for not being religious. Since his very existence exposes the illegitimacy of the newly converted, Israelien becomes the object of a worldwide hunt . . . Meanwhile, in the not-too-distant future of our own, "e;real"e; world, another last Jew-the last living Holocaust survivor-sits alone in a snowbound Manhattan, providing a final melancholy witness to his experiences in the form of the punch lines to half-remembered jokes.

Now finally collected into a single volume, the Sherbrookes trilogy-Possession, Sherbrookes, and Stillness-is Nicholas Delbanco's most celebrated achievement. Centering upon one New England clan and their estate in southwestern Vermont-a full thousand acres, including the bleak and chilly Big House, from which the volatile Sherbrookes have such trouble escaping-these books form a virtuoso portrait of the love, pride, resentment, and even madness we inherit from our families. Written in his characteristically opulent, bravura prose, Delbanco is here revealed as a Henry James for our time: a passionate cataloger of human strength and frailty. Edited and revised by the author some thirty years after its first publication, the trilogy-"e;made new"e; as the single-volume Sherbrookes-can now be rediscovered by a new generation of readers.